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Landing of the Wave: Hallyu in Peru and Brazil
4 references·7 citing·46 second hop
Landing of the Wave: Hallyu in Peru and Brazil (2014)Landing of the Wave: Hallyu in Peru and B…Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols (2010)Korean Masculinities and Tran…Globalization, or the logic of cultural hybridization: the case of the Korean wave (2009)Globalization, or the logic o…Why Does Hallyu Matter? The Significance of the Korean Wave in South Korea (2007)Why Does Hallyu Matter? The S…This Virtual Life: Escapism and Simulation in Our Media World (2003)This Virtual Life: Escapism a…Exploring cultural hybridity, questioning cultural appropriation: Peruvian fans’ responses to Latin tropes in K-pop (2024)Exploring cultural hybridity,…From Cultural Export to Economic Engine: Examining the Role of K-Pop in the Growth of the South Korean Economy (2023)From Cultural Export to Econo…Consuming the Contra-Flow of K-pop in Spain (2020)Consuming the Contra-Flow of …Fantasies of Modernity: Korean TV Dramas in Latin America (2019)Fantasies of Modernity: Korea…Transcultural fandom of the Korean Wave in Latin America: through the lens of cultural intimacy and affinity space (2018)Transcultural fandom of the K…Who watches Korean TV dramas in Africa? A preliminary study in Ghana (2017)Who watches Korean TV dramas …From South Korea to the Southern Hemisphere (2017)From South Korea to the South…Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Can the Subaltern Speak? (2003)The Location of Culture (2012)The social mediascape of transnational Korean pop culture: Hallyu 2.0 as spreadable media practice (2014)Hallyu 2.0 (2015)Global Imagination of K-Pop: Pop Music Fans’ Lived Experiences of Cultural Hybridity (2017)Recentering Globalization (2002)Recentering Globalization: Popular Culture and Japanese Transnationalism (2002)Hallyu across the Desert: K-pop Fandom in Israel and Palestine (2014)Aggressive yet benign: Korea’s engagement in creative industries in Africa (2020)Riding the Wavve: Platform Imperialism and South Korea’s Streaming Market (2022)Almost South–South solidarity: The frustration of K-pop fans (but not true fans) in South Africa (2023)Marxism and Literature (1978)The media and modernity: a social theory of the media (1996)Spreadable Media: Creating Value and Meaning in a Networked Culture (2014)Cultural globalization from the periphery: Translation practices of English-speaking K-pop fans (2019)Cross-National Study on the Perception of the Korean Wave and Cultural Hybridity in Indonesia and Malaysia Using Discourse on Social Media (2020)The Digital Transformation of the Korean Music Industry and the Global Emergence of K-Pop (2020)To Be Continued...: Soap Operas Around the World (1995)Multiple Proximities between Television Genres and Audiences (2005)What Is the K in K-pop? South Korean Popular Music, the Culture Industry, and National Identity (2012)Loving idols: K-pop and the limits of neoliberal solidarity in Cuba (2021)Diasporic Hallyu (2022)Your Bodies are Our Future: Vietnamese Men’s Engagement with Korean Television Dramas as a Technology of the Self (2022)Fans: The Mirror of Consumption (2005)Consuming Representations of Korean TV Dramas among Indonesian Muslim Youth (2020)Sociolinguistics of the Korean Wave (2023)Between Oppa and Borahae (2024)A Study on the KBS TV DramaWinter Sonataand its Impact on Korea'sHallyuTourism Development (2008)The Korean Wave and Its Implications for the Korea-China Relationship (2012)Hallyu as a Government Construct: The Korean Wave in the Context of Economic and Social Development (2014)Movie-related Korean Wave and intention to visit: The role of country image as a mediating factor (2024)Uniting global fans and revolutionizing K-pop marketing: Weverse, a global fan community platform (2025)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)Hybridity, or the Cultural Logic of Globalization (2006)Music Genres and Corporate Cultures (2010)Evolving yet contentious transcultural fanscapes: Peruvian fans’ accounts of K-pop and its fandoms (2024)Theorising Chinese Masculinity: Society and Gender in China (2002)Softer soju in South Korea (2013)“Little Fresh Meat”: The Politics of Sissiness and Sissyphobia in Contemporary China (2021)The Korean Wave (Hallyu) in East Asia: A Comparison of Chinese, Japanese, and Taiwanese Audiences Who Watch Korean TV Dramas (2012)Rearticulating Black Mixed-Race in the Era of Globalization (2013)PROLIFERATION OF HALLYU WAVE AND KOREAN POPULAR CULTURE ACROSS THE WORLD: A SYSTEMATIC LITERATURE REVIEW FROM 2000-2019 (2020)Brave new World of Warcraft: a conceptual framework for active escapism (2016)Out of the laboratory and into the classroom: the future of artificial intelligence in education (2020)The Role of Avoidance Coping and Escape Motives in Problematic Online Gaming: A Systematic Literature Review (2020)
this work references cited by second hop

References

  • 2009Globalization, or the logic of cultural hybridization: the case of the Korean wave228 cited
  • 2010Korean Masculinities and Transcultural Consumption: Yonsama, Rain, Oldboy, K-Pop Idols183 cited
  • 2003This Virtual Life: Escapism and Simulation in Our Media World54 cited
  • 2007Why Does Hallyu Matter? The Significance of the Korean Wave in South Korea41 cited

Cited by

  • 2018Transcultural fandom of the Korean Wave in Latin America: through the lens of cultural intimacy and affinity space119 cited
  • 2019Fantasies of Modernity: Korean TV Dramas in Latin America18 cited
  • 2017Who watches Korean TV dramas in Africa? A preliminary study in Ghana14 cited
  • 2020Consuming the Contra-Flow of K-pop in Spain14 cited
  • 2023From Cultural Export to Economic Engine: Examining the Role of K-Pop in the Growth of the South Korean Economy10 cited
  • 2024Exploring cultural hybridity, questioning cultural appropriation: Peruvian fans’ responses to Latin tropes in K-pop9 cited
  • 2017From South Korea to the Southern Hemisphere4 cited

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