SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Semiotics of Music: Analysis of Cui Jian's “Nothing to My Name,” the Anthem for the Chinese Youths in the Post-Cultural Revolution Era
16 references·1 citing·33 second hop
Semiotics of Music: Analysis of Cui Jian's “Nothing to My Name,” the Anthem for the Chinese Youths in the Post-Cultural Revolution Era (2010)Semiotics of Music: Analysis of Cui Jian'…China, transnational visuality, global postmodernity (2002)China, transnational visualit…Camera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place. (1999)Dangerous Crossroads: Popular…The Language of the Self (1997)The Language of the SelfDangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949 (1997)Dangerous Tunes: The Politics…Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music (1995)Like a Knife: Ideology and Ge…Rockin' the boat: mass music and mass movements (1993)Rockin' the boat: mass music …Popular music analysis and musicology: bridging the gap (1993)Popular music analysis and mu…Musicology and Difference (1993)Musicology and DifferenceContemporary Cultural Theory: An Introduction (1991)Contemporary Cultural Theory:…Innovation and Repetition (1990)Innovation and RepetitionPatriarchy and Socialist Revolution in China (1984)Patriarchy and Socialist Revo…The production of success: an anti-musicology of the pop song (1983)The production of success: an…Desire in Language: A Semiotic Approach to Literature and Art (1981)Desire in Language: A Semioti…Philosophy of Modern Music (1974)Philosophy of Modern MusicWritings on the General Theory of Signs (1971)Writings on the General Theor…The Saxophone in China: Historical Performance and Development (2018)The Saxophone in China: Histo…Studying Popular Music (1990)Playing with Signs (1991)Studying Popular Music (1991)Configuring the sound-box 1965–1972 (2010)Discourses of unity and purpose in the sounds of fascist music: a multimodal approach (2012)A manifesto for metal studies: Or putting the ‘politics of metal’ in its place (2018)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)The new neoliberal subjects? Young/er academics’ constructions of professional identity (2008)Consumer Research and Semiotics: Exploring the Morphology of Signs, Symbols, and Significance (1986)Idioms of Distress Revisited (2010)Foundations of the Theory of Signs (1938) (2019)Goods on which one loses: Women and mental health in China (1995)Children's support for elderly parents in urban and rural China: Results from a national survey (1998)Gender And Elder Care In China (2003)Language and Sexuality (2003)The Network Paradigm in Organizational Research: A Review and Typology (2003)Suspending Damage: A Letter to Communities (2009)A Sweet Lullaby for World Music (2001)Youth and Cultural Practice (2002)The Cambridge History of African American Literature (2011)Popular Culture as Oppositional Culture: Rap as Resistance (1997)A sonic geography of voice (2011)Europe's ordoliberal iron cage: critical political economy, the euro area crisis and its management (2015)Musicology and difference: Gender and sexuality in music scholarship (1993)Music—Drastic or Gnostic? (2004)Sounds of Power: An Overview of Musical Instruments and Gender (2008)Place as Historically Contingent Process: Structuration and the Time-Geography of Becoming Places (1984)Television: Polysemy and popularity (1986)Psychological Aspects of Natural Language Use: Our Words, Our Selves (2002)Club cultures: music, media and subcultural capital (1996)“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)Celebrity Politicians: Popular Culture and Political Representation (2004)
this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1981Desire in Language: A Semiotic Approach to Literature and Art3,077 cited
  • 1971Writings on the General Theory of Signs545 cited
  • 1984Patriarchy and Socialist Revolution in China502 cited
  • 1974Philosophy of Modern Music271 cited
  • 1993Musicology and Difference256 cited
  • 1997The Language of the Self253 cited
  • 1999Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place.238 cited
  • 1993Rockin' the boat: mass music and mass movements226 cited
  • 1993Popular music analysis and musicology: bridging the gap132 cited
  • 1983The production of success: an anti-musicology of the pop song120 cited
  • 1995Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music95 cited
  • 1991Contemporary Cultural Theory: An Introduction92 cited
  • 2002China, transnational visuality, global postmodernity85 cited
  • 1997Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 194968 cited
  • 1990Innovation and Repetition

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

50 cited

Cited by

  • 2018The Saxophone in China: Historical Performance and Development3 cited