Building a New China in Cinema: The Chinese Left-Wing Cinema Movement, 1932-1937

Steven L. Riep · Laikwan Pang

88 citations0/0 files storedChinese Literature Essays Articles Reviews (CLEAR)

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Cinema and Media Studies South Asian Cinema and Culture

Abstract

Chapter 1 Introduction Part 2 The History Chapter 3 The Merging of Histories Chapter 4 The Left-wing Cinema Movement Part 5 The Filmmakers and the Formation of a Collective Subjectivity Chapter 6 The Role of Authorship in the Age of Nationalism Chapter 7 Masculinity and Collectivism: Romancing Politics Chapter 8 Women's Stories On-screen versus Off-screen Part 9 The Spectators and The Film Culture Chapter 10 A Commercial Cinema or a Political Cinema? Chapter 11 A Shanghai Cinema or a Chinese Cinema? Chapter 12 Engaging Realism Part 13 Epilogue Chapter 14 Appendix I: Chinese Left-wing Movies of the 1930s Chapter 15 Appendix II: Popular Chinese Movies, 1932-1937 Chapter 16 Bibliography and Filmography

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 88 citations exist upstream.

Cited by

2002Historiography and Sinification: Music in Chinese Cinema of the 1930s 2008NEGOTIATING THE STATIC AND KINETIC CITIES:2007The Independent Cinema of Jia Zhangke 2008MEGA-EXHIBITIONS:2022Chinese Celebrities’ Political Signalling on Sina Weibo 2010Tang Wei 2007Rebel without a Cause? China’s New Urban Generation and Postsocialist Filmmaking 2007‘Woman’, fetish, particularism: Articulating Chinese cinema with a cross-cultural problematic

Imported from OpenAlex (CC0) — nothing here is generated.