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Love and the Family: Augustus and the Ovidian Legacy
14 references·14 citing·43 second hop
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this work references cited by second hop

References

  • 1990The Power of Images in the Age of Augustus480 cited
  • 1986Caesar Augustus: Seven Aspects360 cited
  • 1991Between republic and empire: interpretations of Augustus and his principate354 cited
  • 1997Banished Voices: Readings in Ovid's Exile Poetry238 cited
  • 1987Generalising About Ovid233 cited
  • 1987Written Women: Propertius' Scripta Puella232 cited
  • 1985Booking the return trip: Ovid and Tristia 1221 cited
  • 1982The Poetics of Exile: Program and Polemic in the Tristia and Epistulae ex Ponto of Ovid184 cited
  • 1975Aeneas and the twins: the development of the Roman foundation legend155 cited
  • 1993No Place Like Rome: Identity and Difference in the Germania of Tacitus136 cited
  • 1992Roman Poetry and Propaganda in the Age of Augustus84 cited
  • 1987Ovid's autobiographical poem, Tristia 4.1074 cited
  • 1976Ovid's Heroides74 cited
  • 1984Parents and Children in Ovid's Poems from Exile47 cited

Cited by

  • 2007Love in Parentheses: Digression and Narrative Hierarchy in Ovid’s Erotodidactic Poems55 cited
  • 2007The Art of Love

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54 cited
  • 1997The Role of the Book in Tristia 3.151 cited
  • 2007Lethaeus Amor: The Art of Forgetting47 cited
  • 2007Ovid, Augustus, and the Politics of Moderation in Ars Amatoria 342 cited
  • 2007The Art of Making Oneself Hated: Rethinking (Anti-)Augustanism in Ovid’s Ars Amatoria40 cited
  • 2007Staging the Reader Response: Ovid and His‘Contemporary Audience’ in Ars and Remedia38 cited
  • 2000Bluff Your Way in Didactic: Ovid's Ars Amatoria and Remedia Amoris35 cited
  • 2007Vixisset Phyllis, si me foret usa magistro Erotodidaxis and Intertextuality33 cited
  • 1999‘Since My Part has Been Well Played’: Conflicting Evaluations of Augustus32 cited
  • 2016Did Somebody Say Augustan Totalitarianism? Duncan Kennedy’s ‘Reflections,’ Hannah Arendt’s Origins, and the Continental Divide over Virgil’s Aeneid32 cited
  • 2004The Power of Image-Makers: Representation and Revenge in OvidMetamorphoses6 andTristia427 cited
  • 2020Early Modern Women's Complaint13 cited
  • 2014Venus's Clerk12 cited