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THE WHITE CAMEL OF THE MAKGABENG
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  • 2009ROCK ART AND IDENTITY IN THE NORTH EASTERN CAPE PROVINCE28 cited
  • 2005FINGERPRINTS OF THE KHOEKHOEN: GEOMETRIC AND HANDPRINTED ROCK ART IN THE CENTRAL LIMPOPO BASIN, SOUTHERN AFRICA25 cited
  • 2022The Impact of Contact and Colonization on Indigenous Worldviews, Rock Art, and the History of Southern Africa20 cited
  • 2005From girls to women: female imagery in the San rock paintings of the Central Limpopo Basin, southern Africa13 cited
  • 2018Digital Technology and a Community Framework for Heritage Rock Art Tourism, Makgabeng Plateau, South Africa9 cited
  • 2015The Death of the Agama Lizard: The Historical Significances of a Multi-authored Rock-art Site in the Northern Cape (South Africa)9 cited
  • 2018From rock art to contemporary art: Indigenous depictions of trains, planes and automobiles5 cited
  • 2026Diverse performances on a shared stage: rock art of Kaingo Sheep Rock Shelter, Waterberg, South Africa3 cited
  • 2018The space of flow at Telperion Shelter: the rock art of a recycled, reused and reimagined place1 cited
  • 2016Interpreting superimposition in the rock art of the Makgabeng of South Africa’s Limpopo Province1 cited
  • 2019Rock Art in Southern Africa, Regional Difference1 cited
  • 2005Iron-using peoples before AD 10000 cited
  • 2019It’s Not Gelling: Conservation Mitigation at Bonne Esperance 016 Rock Art Site, Makgabeng, South Africa

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  • 2005Preface0 cited
  • 2022The Many Meanings of “Integration”: Some Thoughts on Relating Rock Art and Excavated Archaeology in South Africa0 cited
  • 2020Rock Art in Southern Africa, Regional Difference0 cited