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Three-Dimensional Puzzles: Southern African and Upper Palaeolithic Rock Art
9 references·3 citing·29 second hop
Three-Dimensional Puzzles: Southern African and Upper Palaeolithic Rock Art (2002)Three-Dimensional Puzzles: Southern Afric…A cosmos in stone: interpreting religion and society through rock art (2002)A cosmos in stone: interpreti…Tricksters and trancers: Bushman religion and society (2000)Tricksters and trancers: Bush…Women like Meat: The Folklore and Foraging Ideology of the Kalahari Ju/'hoan (1994)Women like Meat: The Folklore…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)People of the Eland: Rock-Pai…The !Kung of Nyae Nyae (1976)The !Kung of Nyae NyaeThe Forest of Symbols: Aspects of Ndembu Ritual (1970)The Forest of Symbols: Aspect…Wolf courts girl : the equivalence of hunting and mating in Bushman thought (1969)Wolf courts girl : the equiva…The art of prehistoric man in Western Europe (1968)The art of prehistoric man in…Auditory Affordances of Game Pass Shelter (South Africa): Implications for Performative Practices and Multisensory Engagement with San Rock Art (2026)Auditory Affordances of Game …Claiming rock art, claiming indigeneity: Spaces and scales of recognition in Khoe and San identity claims (2024)Claiming rock art, claiming i…Trivial pursuit? Interpreting San rock art in terms of the mystical bond between hunter and prey (2021)Trivial pursuit? Interpreting…Material culture and mass consumption (1988)Reassembling the Social (2005)Partager des images, repenser le patrimoine rupestre : un projet de photographie participative avec les communautés !Xun et Khwe de Platfontein (Afrique du Sud) (2024)The Mediterranean moment of Namibian rock art, or the legitimisation of colonial presence through heritage-making (1948–1954) (2025)L’art rupestre en Afrique australe (2026)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)Those Who Play with Fire: Gender, Fertility, and Transformation in East and Southern Africa (2001)‘Therefore their parts resemble humans, for they feel that they are people’ (2015)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)Liminal Legality: Salvadoran and Guatemalan Immigrants' Lives in the United States (2006)Qualitative methods for health research (2009)Shamanism: an encyclopedia of world beliefs, practices, and culture (2005)What Is a Hunter-Gatherer? Variation in the Archaeological Record of Eastern and Southern Africa (2005)The Archaeology of Religious Ritual (2007)Style and Social Information in Kalahari San Projectile Points (1983)Towards a unified science of cultural evolution (2006)The Lifeways of Hunter-Gatherers (2013)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)The Human Symbolic Revolution: A Darwinian Account (1995)Seeing is deceiving: Rock art and the non-visual (2001)Culture and Customs of Botswana (2006)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)Reading art, writing history: Rock art and social change in Southern Africa (1994)The Prehistoric Development of Clothing: Archaeological Implications of a Thermal Model (2010)Interaction and Alliance in Palaeolithic Society (1982)Postprocessual Archaeology (1985)Mobility in Upper Paleolithic and Mesolithic Europe: Evidence from the lower limb (2003)Hunting, healing, and hxaro exchange (2002)Cooperation and the evolution of hunter-gatherer storytelling (2017)
this work references cited by second hop

References

  • 1970The Forest of Symbols: Aspects of Ndembu Ritual4,286 cited
  • 1976The !Kung of Nyae Nyae683 cited
  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 2000Tricksters and trancers: Bushman religion and society297 cited
  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought269 cited
  • 1994Women like Meat: The Folklore and Foraging Ideology of the Kalahari Ju/'hoan158 cited
  • 1968The art of prehistoric man in Western Europe114 cited
  • 2002A cosmos in stone: interpreting religion and society through rock art85 cited
  • 1969Wolf courts girl : the equivalence of hunting and mating in Bushman thought22 cited

Cited by

  • 2024Claiming rock art, claiming indigeneity: Spaces and scales of recognition in Khoe and San identity claims3 cited
  • 2021Trivial pursuit? Interpreting San rock art in terms of the mystical bond between hunter and prey0 cited
  • 2026Auditory Affordances of Game Pass Shelter (South Africa): Implications for Performative Practices and Multisensory Engagement with San Rock Art0 cited

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