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‘Digital indigestion’: cumbia, class and a post-digital ethos in Buenos Aires
14 references·0 citing·39 second hop
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References

  • 1998Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940748 cited
  • 2011Retromania: Pop Culture's Addiction to Its Own Past662 cited
  • 2015What Is ‘Post-digital’?437 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 2004In Praise of Slow : How a Worldwide Movement Is Challenging the Cult of Speed311 cited
  • 2004Hello, Hello Brazil208 cited
  • 2013The vinyl: The analogue medium in the age of digital reproduction119 cited
  • 1997Merengue: Dominican Music and Dominican Identity117 cited
  • 2008Nor-tec Rifa!103 cited
  • 2010The Managers, the Managed, and the Unmanageable: Negotiating Values at the Buenos Aires International Music Fair60 cited
  • 2009Sonic Synergies: Music, Technology, Community, Identity48 cited
  • 2003Thoughts on how to play in tune: pitch and intonation28 cited
  • 2012Troubling gender: youth and cumbia in Argentina's music scene24 cited
  • 2013Cumbia!14 cited

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