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Anxious and Ambivalent Representations: Nineteenth‐Century Images of Chinese American Men
16 references·2 citing·28 second hop
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References

  • 1994Bodies that Matter: on the Discursive Limits of 'Sex'7,450 cited
  • 1984Of Mimicry and Man: The Ambivalence of Colonial Discourse1,847 cited
  • 1997Manhood in America: A Cultural History.1,641 cited
  • 1995Manliness and Civilization1,539 cited
  • 1996Immigrant Acts1,365 cited
  • 20193. Of Mimicry and Man: The Ambivalence of Colonial Discourse1,213 cited
  • 1992The Wages of Whiteness: Race and the Making of the American Working Class.1,179 cited
  • 1998Manifest Domesticity461 cited
  • 1993Vested Interests: Cross-Dressing and Cultural Anxiety.377 cited
  • 1995Racial Faultlines: The Historical Origins of White Supremacy in California375 cited
  • 2000Orientals: Asian Americans in Popular Culture349 cited
  • 1971The Indispensable Enemy307 cited
  • 1995Margins and Mainstreams: Asians in American History and Culture246 cited
  • 2008Coolies and Cane242 cited
  • 1982The social psychology of cross-cultural relations238 cited
  • 1980Iron Cages: Race and Culture in Nineteenth-Century America215 cited

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Cited by

  • 2012Peddling sport: liberal multiculturalism and the racial triangulation of blackness, Chineseness and Native American-ness in professional basketball27 cited
  • 2013The Chinese Stereotypical Signification in Ah Sin2 cited