Panegyric Decorum in the Reigns of William III and Anne

Abstract

The tradition of English verse panegyric began in the reign of James I when the accession of the Stuart line called “for a formal and specific expression of the subject's allegiance and of the values which commend it.” First adapted from Latin models by Samuel Daniel and Ben Jonson, panegyric verse combined praise of the new monarch with conciliatory rhetoric aimed at uniting the king with his subjects. Still regarded as a branch of classical oratory at the beginning of James I's reign, verse panegyric underwent important transformations in succeeding decades. While Abraham Cowley adapted the panegyric themes of national revival and monarchic restraint to his version of the Pindaric ode, Edmund Waller and John Dryden made it a “branch of epic” by depicting the king as an epic hero. Thus enshrined among the neo-classical poetic genres, panegyric verse remained both a potent form of propaganda and an outlet for traditional literary aspirations through the reign of James II. Following the constitutional upheavals of 1688, however, panegyric began to lose its traditional ceremonial function, and in following years the great Tory satirists made the decadence of panegyric conventions an object of their ridicule. Nevertheless verse panegyric did not immediately lose its credibility as literature or its efficacy as propaganda. Writing poems of public praise and celebration remained one way for the loyalists of a new regime—and for others who longed for restoration of the old—to articulate political sentiments, respond to the obligations of political patronage, and fulfill ambitions to write heroic verse.

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