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ESCUCHAR Y PENSAR LA MÚSICA BASES TEÓRICAS Y METODOLÓGICAS
12 references·0 citing·38 second hop
ESCUCHAR Y PENSAR LA MÚSICA BASES TEÓRICAS Y METODOLÓGICAS (2013)ESCUCHAR Y PENSAR LA MÚSICA BASES TEÓRICA…Forms of vitality: exploring dynamic experience in psychology, the arts, psychotherapy, and development (2011)Forms of vitality: exploring …Why Classical Music Still Matters (2007)Why Classical Music Still Mat…The ‘Russian Doll’ model of empathy and imitation (2007)The ‘Russian Doll’ model of e…Imagining Things: Mind Into Music (And Back Again) (2007)Imagining Things: Mind Into M…The Routledge Companion to Semiotics and Linguistics (2005)The Routledge Companion to Se…Musicology: The Key Concepts (2004)Musicology: The Key ConceptsMusic as cognition (2003)Music as cognitionMusicking: The Meanings of Performing and Listening (2000)Musicking: The Meanings of Pe…A Schenkerian Reading of an Excerpt from Tristan und Isolde (1998)A Schenkerian Reading of an E…Music, imagination, and culture (1991)Music, imagination, and cultu…Structural Functions in Music (1977)Structural Functions in MusicEmotion and Meaning in Music (1961)Emotion and Meaning in MusicThe Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)The Dialogic Imagination: Four Essays (1982)Speech Genres and Other Late Essays (1986)Qualitative research: Part three – Methods (2009)The Cultural Implications of Biosemiotics (2010)Thinking with Digital Images in the Post-Truth Era: A Method in Critical Media Literacy (2020)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Keywords: A Vocabulary of Culture and Society (1977)Infant Intersubjectivity: Research, Theory, and Clinical Applications (2001)The role of music in adolescents' mood regulation (2006)Music as emotional self-regulation throughout adulthood (2010)The Interpretation of Cultures (2017)The Structure of Scientific Revolutions (1963)Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St Brieuc Bay (1984)Culture in Action: Symbols and Strategies (1986)The Arts in Children's Lives (2002)Proposta curricular de música para o município de Florianópolis (2007)The Developing Field of Christian Congregational Music Studies (2014)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Texture as a Sign in Classic and Early Romantic Music (1982)Fantasy Pieces (1999)Meter and Grouping in African Music: A View from Music Theory (2000)The Routledge Companion to Aesthetics (2005)The Anthropology of Texts, Persons and Publics (2007)Towards a critical understanding of music, emotion and self‐identity (2008)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)From proto-mimesis to language: Evidence from primatology and social neuroscience (2008)Modeling empathy: building a link between affective and cognitive processes (2019)Emotional contagion in nonhuman animals: A review (2021)Remembering Debussy in Interwar France: Authority, Musicology, and Legacy (2012)On the edge of their seats: Comparing first impressions and regular attendance in arts audiences (2015)The musical body : how gender and class are reproduced among young people playing classical music in England (2015)A Systematic Review of Music Therapy Practice and Outcomes with Acute Adult Psychiatric In-Patients (2013)Effect of Active Music Therapy and Individualized Listening to Music on Dementia: A Multicenter Randomized Controlled Trial (2015)Music therapy for stress reduction: a systematic review and meta-analysis (2020)
this work references cited by second hop

References

  • 1961Emotion and Meaning in Music1,957 cited
  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 2011Forms of vitality: exploring dynamic experience in psychology, the arts, psychotherapy, and development618 cited
  • 1977Structural Functions in Music330 cited
  • 2004Musicology: The Key Concepts217 cited
  • 1991Music, imagination, and culture214 cited
  • 2005The Routledge Companion to Semiotics and Linguistics119 cited
  • 2007The ‘Russian Doll’ model of empathy and imitation105 cited
  • 2007Why Classical Music Still Matters54 cited
  • 2003Music as cognition16 cited
  • 1998A Schenkerian Reading of an Excerpt from Tristan und Isolde5 cited
  • 2007Imagining Things: Mind Into Music (And Back Again)5 cited

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