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Reflections on the global art market: implications for the Sociology of Culture
13 references·11 citing·30 second hop
Reflections on the global art market: implications for the Sociology of Culture (2009)Reflections on the global art market: imp…Symbolic meanings of prices: Constructing the value of contemporary art in Amsterdam and New York galleries (2003)Symbolic meanings of prices: …The field of Cultural Production (2002)The field of Cultural Product…Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing (2002)Fashion and Its Social Agenda…Postmodernity and its discontents (1998)Postmodernity and its discont…Televisuality: style, crisis, and authority in American television (1996)Televisuality: style, crisis,…The Field of Cultural Production (1994)The Field of Cultural Product…Cultivating Differences: Symbolic Boundaries and the Making of Inequality. (1993)Cultivating Differences: Symb…The Transformation of the Avant-Garde: The New York Art World, 1940-1985 (1989)The Transformation of the Ava…The Transformation of the Avant-Garde: The New York Art World, 1940-1985. (1988)The Transformation of the Ava…Theory of the Avant-Garde (1985)Theory of the Avant-GardeThe Triumph of American Painting: A History of Abstract Expressionism (1978)The Triumph of American Paint…The Theory of the Avant-Garde (1968)The Theory of the Avant-GardeInternational Encyclopedia of the Social Sciences. (1968)International Encyclopedia of…The Legitimation of Young and Emerging Artists in Digital Platforms: The Case of Saatchi Art (2022)The Legitimation of Young and…Ranking Art: Paradigmatic Worldviews in the Quantification and Evaluation of Contemporary Art (2020)Ranking Art: Paradigmatic Wor…Spatial Barriers and the Formation of Global Art Cities: The Case of Tokyo (2019)Spatial Barriers and the Form…Reputation, Status Networks, and the Art Market (2019)Reputation, Status Networks, …The rise of Africa in the contemporary auction market: Myth or reality? (2018)The rise of Africa in the con…Beyond Reproduction: Asymmetrical Interdependencies and the Transformation of Centers and Peripheries in the Globalizing Visual Arts (2018)Beyond Reproduction: Asymmetr…Between the market and noncommercial art institutions: Early career strategies of contemporary artists in emerging art scenes (2018)Between the market and noncom…Ups and downs of art commerce: narratives of “crisis” in the contemporary art markets of Russia and India (2017)Ups and downs of art commerce…Local contexts as activation mechanisms of market development: contemporary art in emerging markets (2017)Local contexts as activation …The India Art Fair and the Market for Visual Arts in the Global South (2015)The India Art Fair and the Ma…Financial artscapes: Damien Hirst, crisis and the City of London (2012)Financial artscapes: Damien H…The cultural biography of things: commoditization as process (1986)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)Theories of Markets and Theories of Society (2007)The social order of markets (2009)Cents and Sensibility: Economic Valuation and the Nature of “Nature” (2011)Critical pedagogy and predatory culture (1994)T. S. Eliot and the Cultural Divide (1995)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Vertical and Horizontal Discourse: An essay (1999)Artists, Aestheticisation and the Field of Gentrification (2003)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)Clothing and Embodiment: Men Managing Body Image and Appearance. (2004)SLOW + FASHION—an Oxymoron—or a Promise for the Future …? (2008)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Legitimacy as a Social Process (2006)Why Status Matters for Inequality (2013)The emotional politics of teaching and teacher development: with implications for educational leadership (1998)Excluding the included: A reconsideration of inclusive education (2001)The tourist experience (2005)Comparative Politics and the Comparative Method (1971)The New Institutionalism: Organizational Factors in Political Life (1983)Modernization, cultural change, and democracy the human development sequence (2005)Perspectives on Consumer Culture (1990)The Avant-Garde in Interwar England: Medieval Modernism and the London Underground (2000)The Cambridge Introduction to Modernist Poetry (2011)Creative Cities, Creative Spaces and Urban Policy (2009)Public Discourses of Gay Men (2006)The Moral Economy of Person Production: The Class Relations of Self-Performance on ‘Reality’ Television (2009)Arrested war: the third phase of mediatization (2015)
this work references cited by second hop

References

  • 1968International Encyclopedia of the Social Sciences.3,486 cited
  • 1994The Field of Cultural Production3,293 cited
  • 2002The field of Cultural Production2,461 cited
  • 1993Cultivating Differences: Symbolic Boundaries and the Making of Inequality.1,196 cited
  • 1998Postmodernity and its discontents935 cited
  • 1985Theory of the Avant-Garde744 cited
  • 1996Televisuality: style, crisis, and authority in American television676 cited
  • 2002Fashion and Its Social Agendas: Class, Gender, and Identity in Clothing455 cited
  • 2003Symbolic meanings of prices: Constructing the value of contemporary art in Amsterdam and New York galleries191 cited
  • 1968The Theory of the Avant-Garde147 cited
  • 1989The Transformation of the Avant-Garde: The New York Art World, 1940-1985111 cited
  • 1978The Triumph of American Painting: A History of Abstract Expressionism95 cited
  • 1988The Transformation of the Avant-Garde: The New York Art World, 1940-1985.87 cited

Cited by

  • 2017Local contexts as activation mechanisms of market development: contemporary art in emerging markets37 cited
  • 2017Ups and downs of art commerce: narratives of “crisis” in the contemporary art markets of Russia and India

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24 cited
  • 2018The rise of Africa in the contemporary auction market: Myth or reality?24 cited
  • 2015The India Art Fair and the Market for Visual Arts in the Global South19 cited
  • 2019Reputation, Status Networks, and the Art Market18 cited
  • 2020Ranking Art: Paradigmatic Worldviews in the Quantification and Evaluation of Contemporary Art14 cited
  • 2018Between the market and noncommercial art institutions: Early career strategies of contemporary artists in emerging art scenes13 cited
  • 2022The Legitimation of Young and Emerging Artists in Digital Platforms: The Case of Saatchi Art10 cited
  • 2012Financial artscapes: Damien Hirst, crisis and the City of London8 cited
  • 2019Spatial Barriers and the Formation of Global Art Cities: The Case of Tokyo5 cited
  • 2018Beyond Reproduction: Asymmetrical Interdependencies and the Transformation of Centers and Peripheries in the Globalizing Visual Arts4 cited