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The Pitfall Facing the Cool Japan Project: The Transnational Development of the Anime Industry under the Condition of Post‐Fordism*
5 references·10 citing·40 second hop
The Pitfall Facing the Cool Japan Project: The Transnational Development of the Anime Industry under the Condition of Post‐Fordism* (2011)The Pitfall Facing the Cool Japan Project…Japan Pop: Inside the World of Japanese Popular Culture (2015)Japan Pop: Inside the World o…Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas (2004)Feeling Asian Modernities: Tr…Recentering Globalization (2002)Recentering GlobalizationMaking up People in Papua (2001)Making up People in PapuaPostmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…Adaptation and Optimisation across Audiovisual Platforms: Hot Song Production in the Chinese Music Industry (2025)Adaptation and Optimisation a…The last paradise for creative workers? The case of Shueisha and Weekly Shōnen Jump (2023)The last paradise for creativ…Artificial flavors: nostalgia and the shifting landscapes of production in Sino-Japanese animation (2022)Artificial flavors: nostalgia…Neo-Ottomanism and Cool Japan in comparative perspective (2021)Neo-Ottomanism and Cool Japan…Fandom (2021)FandomCo-opting the nation brand: The politics of cross-cultural co-production (2020)Co-opting the nation brand: T…Repackaging national identity: Cool Japan and the resilience of Japanese identity narratives (2019)Repackaging national identity…Pacific Exposures: Photography and the Australia–Japan Relationship (2018)Pacific Exposures: Photograph…Crowdfunding Japanese Commercial Animation: Collective Financing Experiences in Anime (2017)Crowdfunding Japanese Commerc…Anime’s Performativity: Diversity through Conventionality in a Global Media-Form (2017)Anime’s Performativity: Diver…Islands of history (1985)An Anthropologist Among the Historians, and Other Essays. (1991)Motility: mobility as capital (2004)Kinship, Law and the Unexpected (2005)Skills and selves in the new workplace (2008)The Invention of Culture (2016)An Empirical Examination of the Antecedents and Consequences of Contribution Patterns in Crowd-Funded Markets (2013)Crowdfunding: Tapping the right crowd (2013)The dynamics of crowdfunding: An exploratory study (2013)Filmmaking and Crowdfunding: A Right Match? (2019)The study on the relationships among film fans’ willingness to pay by film crowdfunding and their influencing factors (2020)The consequences of modernity (1990)Subculture: The Meaning of Style (1995)3.2. MARXISM AND LITERATURE (2006)Neo-Ottoman Cool: Turkish Popular Culture in the Arab Public Sphere (2013)Pop-culture diplomacy in Japan: soft power, nation branding and the question of ‘international cultural exchange’ (2015)Transcultural fandom of the Korean Wave in Latin America: through the lens of cultural intimacy and affinity space (2018)Excitable Speech: A Politics of the Performative (1997)Modernity at Large: Cultural Dimensions of Globalization. (1998)Undoing Gender (2004)Consuming Production: Anime’s Layers of Transnationality and Dispersal of Agency as Seen in Shirobako and Sakuga-Fan Practices (2018)Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes (2019)The Correlation between the MBTI-Based Personality Analysis of Anime Characters and Their Popularity (2024)Competitive Identity: The New Brand Management for Nations, Cities and Regions (2006)Competitive Identity (2007)Darwinians, Communitarians, and Missionaries: The Role of Founder Identity in Entrepreneurship (2011)Organizational resilience and internal branding: investigating the effects triggered by self-service technology (2022)Revisiting “Cool Japan” in country-of-origin research: a commentary and future research directions (2023)Hybridity, or the Cultural Logic of Globalization (2006)Searching for a Theory of Public Diplomacy (2008)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Territoriality and beyond: problematizing modernity in international relations (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Toward a Theory of Gender (2013)Hollywood movies in East Asia: examining cultural discount and performance predictability at the box office (2008)Transnational Korea: A Critical Assessment of the Korean Wave in Asia and the United States (2009)English in Asian Popular Culture (2020)Those Naughty Teenage Girls: Japanese Kogals, Slang, and Media Assessments (2004)‘New Shanghailanders’ or ‘New Shanghainese’: Western Expatriates' Narratives of Emplacement in Shanghai (2010)Living in a Global World: Influence of Consumer Global Orientation on Attitudes toward Global Brands from Developed versus Emerging Countries (2012)
this work references cited by second hop

References

  • 1991Postmodernism, or, The cultural logic of late capitalism9,294 cited
  • 2002Recentering Globalization719 cited
  • 2001Making up People in Papua196 cited
  • 2004Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas174 cited
  • 2015Japan Pop: Inside the World of Japanese Popular Culture173 cited

Cited by

  • 2019Repackaging national identity: Cool Japan and the resilience of Japanese identity narratives31 cited
  • 2017Anime’s Performativity: Diversity through Conventionality in a Global Media-Form23 cited
  • 2017Crowdfunding Japanese Commercial Animation: Collective Financing Experiences in Anime15 cited
  • 2020Co-opting the nation brand: The politics of cross-cultural co-production8 cited
  • 2022Artificial flavors: nostalgia and the shifting landscapes of production in Sino-Japanese animation6 cited
  • 2021Neo-Ottomanism and Cool Japan in comparative perspective4 cited
  • 2018Pacific Exposures: Photography and the Australia–Japan Relationship3 cited
  • 2025Adaptation and Optimisation across Audiovisual Platforms: Hot Song Production in the Chinese Music Industry3 cited
  • 2023The last paradise for creative workers? The case of Shueisha and Weekly Shōnen Jump3 cited

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2021
Fandom
2 cited