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Cajun music, cultural revival: Theorizing political action in popular music
16 references·2 citing·30 second hop
Cajun music, cultural revival: Theorizing political action in popular music (1998)Cajun music, cultural revival: Theorizing…Selections from the prison notebooks (2020)Selections from the prison no…Andalusian, Gypsy, and Class Identity in the Contemporary Flamenco Complex (1989) (2015)Andalusian, Gypsy, and Class …Cut `n' Mix (2003)Cut `n' MixActing in Concert: Music, Community, and Political Action (1999)Acting in Concert: Music, Com…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Habermas and the public sphere (1992)Habermas and the public sphereStorm blowing from paradise: social protest and oppositional ideology in popular Hawaiian music (1991)Storm blowing from paradise: …Rhythm and resistance: explorations in the political uses of popular music (1991)Rhythm and resistance: explor…Cut 'n' Mix: Culture, Identity and Caribbean Music (1989)Cut 'n' Mix: Culture, Identit…Andalusian, Gypsy, and Class Identity in the Contemporary Flamenco Complex (1989)Andalusian, Gypsy, and Class …Protest music as political persuasion (1988)Protest music as political pe…Ideology, Place, and People without Culture (1988)Ideology, Place, and People w…The Texas-Mexican Conjunto: History of a Working-Class Music (1986)The Texas-Mexican Conjunto: H…The Texas-Mexican Conjunto (1985)The Texas-Mexican ConjuntoTiv Song: The Sociology of Art in a Classless Society (1983)Tiv Song: The Sociology of Ar…From the Roots to the Shoots: A Hawaiian Case Study of Language Revitalization and Modes of Communication (2006)From the Roots to the Shoots:…Chapter 8: From the Roots to the Shoots: A Hawaiian Case Study of Language Revitalization and Modes of Communication (2006)Chapter 8: From the Roots to …The things we do with words: Ilongot speech acts and speech act theory in philosophy (1982)Observers Observed: Essays on Ethnographic Fieldwork. (1984)Politics and History in Band Societies (1985)Mexican Migration and the Social Space of Postmodernism (1991)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)Empowering Place: Multilocality and Multivocality (1992)Reconsidering Anthropological Explanations of Ethnic School Failure (1991)Music and Language (1994)Nor-tec Rifa! (2008)‘Fight the Power’: The Politics of Music and the Music of Politics (2003)Playing to the Crowd: The Role of Music and Musicians in Political Participation (2007)Ethnic Minorities’ Cultural and Artistic Practices as Forms of Political Expression: A Review of the Literature and a Theoretical Discussion on Music (2008)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)The global, the local, and the hybrid: A native ethnography of glocalization (1999)Globalization's Cultural Consequences (2000)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Just what is critical race theory and what's it doing in a nice field like education? (1998)Migrant “Illegality” and Deportability in Everyday Life (2002)A Brief History of Neoliberalism (2020)Spatializing States: Toward an Ethnography of Neoliberal Governmentality (2002)The virtual sphere (2002)The Internet, Public Spheres, and Political Communication: Dispersion and Deliberation (2005)The Rhetoric of Violence in Rap and Country Music (1993)Art music from 1800 to 1860 (1998)Sociolinguistics and Linguistic Anthropology of US Latinos (1999)The Global Impact of Gangs (2005)Controversial Rap Themes, Gender Portrayals and Skin Tone Distortion: A Content Analysis of Rap Music Videos (2009)“White and Nerdy”: Computers, Race, and the Nerd Stereotype (2011)
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References

  • 2020Selections from the prison notebooks9,748 cited
  • 1992Habermas and the public sphere1,798 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1989Cut 'n' Mix: Culture, Identity and Caribbean Music343 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.306 cited
  • 1988Ideology, Place, and People without Culture241 cited
  • 2003Cut `n' Mix222 cited
  • 1985The Texas-Mexican Conjunto149 cited
  • 1999Acting in Concert: Music, Community, and Political Action113 cited
  • 1986The Texas-Mexican Conjunto: History of a Working-Class Music110 cited
  • 1991Rhythm and resistance: explorations in the political uses of popular music108 cited
  • 1983Tiv Song: The Sociology of Art in a Classless Society56 cited
  • 1989Andalusian, Gypsy, and Class Identity in the Contemporary Flamenco Complex38 cited
  • 2015Andalusian, Gypsy, and Class Identity in the Contemporary Flamenco Complex (1989)37 cited
  • 1991Storm blowing from paradise: social protest and oppositional ideology in popular Hawaiian music35 cited
  • 1988

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Protest music as political persuasion
24 cited

Cited by

  • 2006From the Roots to the Shoots: A Hawaiian Case Study of Language Revitalization and Modes of Communication7 cited
  • 2006Chapter 8: From the Roots to the Shoots: A Hawaiian Case Study of Language Revitalization and Modes of Communication3 cited