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Organic materials in the wall paintings in Pompei: a case study of Insuladel Centenario

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References

1999Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry129 cited
1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited

Cited by

2021Wall paintings through the ages: the roman period—Republic and early Empire56 cited
2014Comparison of binder compositions in Pompeian wall painting styles from Insula Occidentalis29 cited
2015Material characterization of the Late Roman wall painting samples from Sinop Balatlar Church Complex in the black sea region of Turkey29 cited
2013Non-invasive analytical techniques applied to characterize the components of ancient golden medallions21 cited
2019First Analytical Study on Second-Century Wall Paintings from Ulpia Traiana Sarmizegetusa: Insights on the Materials and Painting Technique18 cited
2015Physico‐Chemical Characterization of Pigments and Binders of Murals in a Church in Ethiopia18 cited
2021Organic Matter and Pigments in the Wall Paintings of Me-Taw-Ya Temple in Bagan Valley, Myanmar14 cited
2020New Insights to Characterize Paint Varnishes and to Study Water in Paintings by Nuclear Magnetic Resonance Spectroscopy (NMR)11 cited
2022A Multi-Instrument Analysis of the Late 16th Canvas Painting, “Coronation of the Virgin with the Saints Ambrose and Jerome”, Attributed to the Tuscany-Umbria Area to Support the Possibility of Bio-Cleaning Using a Bacteria-Based System7 cited

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