SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
‘Simply Irresistible’: recurring accent patterns as hooks in mainstream 1980s music
0 references·15 citing·41 second hop
‘Simply Irresistible’: recurring accent patterns as hooks in mainstream 1980s music (2005)‘Simply Irresistible’: recurring accent p…The origins of syncopation in American popular music (2021)The origins of syncopation in…The Functions of Continuous Processes in Contemporary Electronic Dance Music (2021)The Functions of Continuous P…Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches (2021)Musical Nuances and the Aesth…Mainstream popular music research: a musical update (2021)Mainstream popular music rese…Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves (2020)Using Drumbeats to Theorize M…That’s All It Does (2019)That’s All It DoesRethinking Reich (2019)Rethinking ReichFlow (2019)FlowAnticipatory Syncopation in Rock: A Corpus Study (2019)Anticipatory Syncopation in R…Afro-Electric Counterpoint (2019)Afro-Electric Counterpoint“Departing to Other Spheres” (2019)“Departing to Other Spheres”Rhythmic Functions in Pop-Rock Music (2018)Rhythmic Functions in Pop-Roc…Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy (2017)Drawing listener attention in…Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83) (2015)Riff Schemes, Form, and the G…Constraint, collaboration and creativity in popular songwriting teams (2012)Constraint, collaboration and…Tropics of Discourse: Essays in Cultural Criticism (1979)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of Sonata Theory (2006)A Transformational Approach to Gesture in Shō Performance (2020)Compound AABA Form and Style Distinction in Heavy Metal (2021)Transcending Time (Feels) (2021)Developmental sequence in small groups. (1965)A Time Analysis of the Compositional Processes Used by Children Ages 7 to 11 (1989)Society, Culture, and Person: A Systems View of Creativity (2014)Dimensions of Musical Creativity (2020)Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era” (2020)Musikerne, bransjen og samfunnet (2022)A typology of ‘hooks’ in popular records (1987)Egos Inflating Over Time: A Cross‐Temporal Meta‐Analysis of the Narcissistic Personality Inventory (2008)The Development and Psychometric Properties of LIWC2015 (2015)“Where is the love?” Topics and prosocial behavior in German popular music lyrics from 1954 to 2014 (2018)A review of the trend of microlearning (2020)Stages, Platforms, Streams: The Economies and Industries of Live Music after Digitalization (2021)The Theory of Participatory Discrepancies: A Progress Report (1995)Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music (2006)Metrical Stress Theory: Principles and Case Studies (1995)Fantasy pieces: metrical dissonance in the music of Robert Schumann (2000)The Prosodic Structure of Function Words (2004)A comparative analysis of melodic rhythm in two corpora of American popular music (2022)Melodic Pattern Repetition and Efficient Encoding: A Corpus Study (2024)The Technological Society (1965)Dissensus: On Politics and Aesthetics (2010)Anne Teresa De Keersmaeker’sViolin Phaseand the Experience of Time, or Why Does Process Music Work? (2021)One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society (2021)Periodicity-Based Descriptions of Rhythms and Steve Reich's Rhythmic Style (2021)Rhythm and Noise: An Aesthetics of Rock (1996)Music genres and corporate cultures (2000)Music Genres and Corporate Cultures (2010)Female Subjectivities in the Words, Music, and Images of Progressive Metal (2023)Phonology and Syntax: The Relation between Sound and Structure (1984)Flow: The Psychology of Optimal Experience (1991)Phenomenology of Perception (2013)The Cambridge Companion to Rhythm (2020)Rhythmic Techniques in Deaf Hip Hop (2021)Segmentation, Phrasing, and Meter in Hip-Hop Music (2021)Abolitionist Music Theory and Marxism: Notes Toward a Reconciliation (2023)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2017Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy65 cited
  • 2019Flow50 cited
  • 2012Constraint, collaboration and creativity in popular songwriting teams49 cited
  • 2020Using Drumbeats to Theorize Meter in Quintuple and Septuple Grooves37 cited
  • 2015Riff Schemes, Form, and the Genre of Early American Hardcore Punk (1978–83)35 cited
  • 2019Rethinking Reich33 cited
  • 2019Anticipatory Syncopation in Rock: A Corpus Study22 cited
  • 2018Rhythmic Functions in Pop-Rock Music21 cited
  • 2019Afro-Electric Counterpoint18 cited
  • 2019That’s All It Does13 cited
  • 2021Mainstream popular music research: a musical update13 cited
  • 2021Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches7 cited
  • 2021The origins of syncopation in American popular music7 cited
  • 2019“Departing to Other Spheres”6 cited
  • 2021The Functions of Continuous Processes in Contemporary Electronic Dance Music3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work