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On playing by ear
8 references·16 citing·39 second hop
On playing by ear (1996)On playing by earPopular Culture in Early Modern Europe (2017)Popular Culture in Early Mode…Rock Culture in Liverpool: Popular Music in the Making. (1992)Rock Culture in Liverpool: Po…On Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …Literacy in Theory and Practice (1987)Literacy in Theory and Practi…The oral and the literate in music (1986)The oral and the literate in …Hammer of the Gods (1985)Hammer of the GodsPopular Culture in Early Modern Europe (1979)Popular Culture in Early Mode…Ways of the Hand: The Organization of Improvised Conduct. (1978)Ways of the Hand: The Organiz…Open online resources and visual representations of music: New affordances for music education (2018)Open online resources and vis…Can the adoption of informal approaches to learning music in school music lessons promote musical progression? (2017)Can the adoption of informal …The Rise and Fall of a Songwriting Partnership (2015)The Rise and Fall of a Songwr…Apprehensive and Excited (2015)Apprehensive and ExcitedThe influence of music learning cultures on the construction of teaching-learning conceptions (2014)The influence of music learni…Musical ‘learning styles’ and ‘learning strategies’ in the instrumental lesson: The Ear Playing Project (EPP) (2014)Musical ‘learning styles’ and…Popular musicians and instrumental teachers: the influence of informal learning on teaching strategies (2012)Popular musicians and instrum…Popular music in American teacher education: A glimpse into a secondary methods course (2011)Popular music in American tea…Strategies Students Adopted When Learning to Play an Improvised Blues in an E-Learning Environment (2010)Strategies Students Adopted W…Playing by Ear: Is Expert Opinion Supported by Research? (2010)Playing by Ear: Is Expert Opi…Participant approaches to and reflections on learning to play a 12-bar blues in an asynchronous e-learning environment (2009)Participant approaches to and…Non-music specialist trainee primary school teachers’ confidence in teaching music in the classroom (2008)Non-music specialist trainee …Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)Creativity and Cultural Produ…Compositional Process in Music (2007)Compositional Process in MusicContemporary music student expectations of musicianship training needs (2006)Contemporary music student ex…What Chord Was That? A Study Of Strategies Among Ear Players In Rock Music (2004)What Chord Was That? A Study …Outline of a Theory of Practice (1977)Case Study Research: Design and Methods (1984)Case Study Research: Design and Methods (1991)The Systems Model of Creativity and Its Applications (2014)Musical gesture in the songs of Nick Drake (2016)Sustaining artistic practices post George Brandis’s controversial Australia Council arts funding changes: cultural policy and visual artists’ careers in Australia (2016)How Popular Musicians Learn: A Way Ahead for Music Education (2002)Formal and informal learning situations or practices vs formal and informal ways of learning (2006)Investigating trainee music teachers' beliefs on musical abilities and learning: a quantitative study (2010)Singing in primary schools: case studies of good practice in whole class vocal tuition (2012)The Discovery of Grounded Theory (2017)Strengthening music provision in early childhood education: a collaborative self-development approach to music mentoring for generalist teachers (2019)The ecology of human development : experiments by nature and design (1979)The Ecology of Human Development (1979)Music in Everyday Life (2000)Developing student autonomy in the one-to-one music lesson (2013)Exploring Informal Music Learning in a Professional Development Community of Music Teachers (2014)Teaching popular music: Investigating music educators’ perceptions and preparation (2015)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)Ironic processes of mental control. (1994)Street Phenomenology (2003)The Practice Turn in Contemporary Theory (2005)‘Insider Research’ in the Study of Youth Cultures (2005)Effects of group singing and performance for marginalized and middle-class singers (2005)Music Scenes: Local, Translocal, and Virtual (2011)Social Anthropology of Technology (1992)The Making of English National Identity (2003)The Dark Side of Democracy (2004)Foundations for an anthropology of the senses (1997)Music for dreaming: Aboriginal lullabies in the Yanyuwa community at Borroloola, Northern Territory (1999)Orality, Literacy, and Mediating Musical Experience: Rethinking Oral Tradition in the Learning of Jazz Improvisation (2006)On the Determination of Social Action in Space and Time (1983)Adolescence: an anthropological inquiry (1991)Touristic quest for existential authenticity (2007)A pedagogy of Multiliteracies Designing Social Futures (1996)Student writing in higher education: An academic literacies approach (1998)Language and Agency (2001)
this work references cited by second hop

References

  • 1987Literacy in Theory and Practice4,966 cited
  • 1979Popular Culture in Early Modern Europe977 cited
  • 2017Popular Culture in Early Modern Europe820 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 1978Ways of the Hand: The Organization of Improvised Conduct.391 cited
  • 1992Rock Culture in Liverpool: Popular Music in the Making.301 cited
  • 1986The oral and the literate in music117 cited
  • 1985Hammer of the Gods10 cited

Cited by

  • 2008Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting142 cited
  • 2008Non-music specialist trainee primary school teachers’ confidence in teaching music in the classroom86 cited
  • 2011Popular music in American teacher education: A glimpse into a secondary methods course84 cited
  • 2007Compositional Process in Music73 cited
  • 2014Musical ‘learning styles’ and ‘learning strategies’ in the instrumental lesson: The Ear Playing Project (EPP)40 cited
  • 2010Playing by Ear: Is Expert Opinion Supported by Research?38 cited
  • 2015The Rise and Fall of a Songwriting Partnership38 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2014
The influence of music learning cultures on the construction of teaching-learning conceptions
33 cited
  • 2010Strategies Students Adopted When Learning to Play an Improvised Blues in an E-Learning Environment28 cited
  • 2017Can the adoption of informal approaches to learning music in school music lessons promote musical progression?27 cited
  • 2004What Chord Was That? A Study Of Strategies Among Ear Players In Rock Music23 cited
  • 2018Open online resources and visual representations of music: New affordances for music education20 cited
  • 2012Popular musicians and instrumental teachers: the influence of informal learning on teaching strategies20 cited
  • 2015Apprehensive and Excited18 cited
  • 2006Contemporary music student expectations of musicianship training needs16 cited
  • 2009Participant approaches to and reflections on learning to play a 12-bar blues in an asynchronous e-learning environment16 cited