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The Birth of a Black Cinema: Race, Reception, and Oscar Micheaux's Within Our Gates
8 references·1 citing·26 second hop
The Birth of a Black Cinema: Race, Reception, and Oscar Micheaux's Within Our Gates (2006)The Birth of a Black Cinema: Race, Recept…Writing himself into history: Oscar Micheaux, his silent films, and his audiences (2001)Writing himself into history:…Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson (2001)Playing the race card: melodr…Fire and Desire: Mixed-Race Movies in the Silent Era (2001)Fire and Desire: Mixed-Race M…Straight Lick: The Cinema of Oscar Micheaux (2000)Straight Lick: The Cinema of …Babel and Babylon: Spectatorship in American Silent Film. (1992)Babel and Babylon: Spectators…“The Finest Outside the Loop”: Motion Picture Exhibition in Chicago's Black Metropolis, 1905–1928 (1990)“The Finest Outside the Loop”…The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Classical Hollywood Cinem…Slow Fade to Black: The Negro in American Film, 1900-1942 (1977)Slow Fade to Black: The Negro…The imperfect text: bisexual transgression in Score (1974) and Both Ways (1975) (2023)The imperfect text: bisexual …The Bisexual Imaginary : Representation, Identity and Desire (1998)Transgression (2003)The B word: bisexuality in contemporary film and television (2013)Cultural Studies and Race (2001)The ‘Reol’ Story: Race Authorship and Consciousness in Robert Levy's Reol Productions, 1921–1926 (2008)A History of the African American Novel (2017)The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial) Will Survive (2005)The Creature from the Black Lagoon: Marilyn Monroe and Whiteness (2008)"Enough Force to Shatter the Tale to Fragments": Ethics and Textual Analysis in James Baldwin's Film Theory (2010)Anthropology and Mass Media (1993)Religion, Media, and the Public Sphere (2005)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)The Whiteness of Film Noir (1997)Uncle Tom's Cabin: Before and After the Jim Crow Era (2000)“Cinema at Its Source”: Synchronizing Race and Sound in the Early Talkies (2002)Lester Walton's Écriture Noir : Black Spectatorial Transcodings of "Cinematic Excess" (2000)Popular Songs and Comic Allusion in Contemporary Cinema (2001)The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)Entertainment Wars: Television Culture after 9/11 (2004)Villains, Victims and Heroes: Melodrama, Media, and September 11 (2005)The Cambridge History of the American Novel (2011)Preserving African-American Cinema: The Case of The Emperor Jones (1933) (2003)The Plow and the Pen: The Pioneering Adventures of Oscar Micheaux (2003)Discovering Black Film History: Tracing the Tyler, Texas Black Film Collection (2011)
this work references cited by second hop

References

  • 1986The Classical Hollywood Cinema: Film Style & Mode of Production to 1960665 cited
  • 1992Babel and Babylon: Spectatorship in American Silent Film.408 cited
  • 2001Playing the race card: melodramas of black and white from Uncle Tom to O.J. Simpson205 cited
  • 1977Slow Fade to Black: The Negro in American Film, 1900-1942204 cited
  • 1990“The Finest Outside the Loop”: Motion Picture Exhibition in Chicago's Black Metropolis, 1905–192887 cited
  • 2001Writing himself into history: Oscar Micheaux, his silent films, and his audiences80 cited
  • 2001Fire and Desire: Mixed-Race Movies in the Silent Era39 cited
  • 2000Straight Lick: The Cinema of Oscar Micheaux19 cited

Cited by

  • 2023The imperfect text: bisexual transgression in Score (1974) and Both Ways (1975)10 cited

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