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The Hundred Thousand Fools of God: Musical Travels in Central Asia (And Queens, New York)
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Cited by

  • 2015Non-Western national music and empire in global history: interactions, uniformities, and comparisons27 cited
  • 2007Everyday Life in Central Asia26 cited
  • 2005Modernity, Postcolonialism, and Theatrical Form in Uzbekistan25 cited
  • 2015Prosodic Rhythm in Jewish Sacred Music: Examples from the Persian-Speaking World21 cited
  • 2005Musical Heritage and National Identity in Uzbekistan18 cited
  • 2005Open Borders. Tradition and Tajik Popular Music: Questions of Aesthetics, Identity and Political Economy16 cited
  • 2000Listening patterns and identity of the Korean diaspora in the former USSR’111 cited
  • 2015Westernizing Reform and Indigenous Precedent in Traditional Music: Insights from Turkmenistan11 cited
  • 2009The Value of a Voice: Culture and Critique in Kazakh Aitys Poetry.7 cited
  • 2008Musical Traditions and Ceremonies of Bukhara6 cited
  • 2009Popping Tradition: PerformingMaqomand Uzbek “National”Estradain the 21st Century5 cited
  • 2020In search of culture non-specific linguistic mechanisms of language adaptation to external cultures3 cited

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