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Computation and Visualization of Musical Structures in Chord-Based Simplicial Complexes
12 references·0 citing·26 second hop
Computation and Visualization of Musical Structures in Chord-Based Simplicial Complexes (2013)Computation and Visualization of Musical …Generalized Tonnetze (2011)Generalized TonnetzeHamiltonian Cycles in the Topological Dual of the Tonnetz (2009)Hamiltonian Cycles in the Top…Generalized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…The Geometry of Musical Chords (2006)The Geometry of Musical ChordsThe topos of music: geometric logic of concepts, theory, and performance (2005)The topos of music: geometric…The topos of music: geometric logic of concepts, theory, and performance (2003)The topos of music: geometric…Implementing algebraic methods in OpenMusic. (2003)Implementing algebraic method…Performance Fields (2002)Performance FieldsSome Aspects of Three-Dimensional "Tonnetze" (1998)Some Aspects of Three-Dimensi…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Composition with Pitch Classes: A Theory of Compositional Design (1990)Composition with Pitch Classe…Composition With Pitch-Classes (1987)Composition With Pitch-ClassesGeneralized Musical Intervals and Transformations (1988)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Hamiltonian Graphs as Harmonic Tools (2017)On the use of relational presheaves in transformational music theory (2020)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The distance geometry of music (2008)The Oxford Handbook of Neo-Riemannian Music Theories (2011)The Topos of Music (2002)Scale Networks and Debussy (2004)The Structure of Atonal Music (1973)Science and Hypothesis (2024)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian Duality (2013)Topological Structures in Computer-Aided Music Analysis (2015)GeneralizedTonnetzeandZeitnetze, and the topology of music concepts (2020)Chromatic Transformations in Nineteenth-Century Music (2002)Uniform Triadic Transformations (2002)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)A Cognitive Theory of Musical Meaning (2000)A geometry of music: harmony and counterpoint in the extended common practice (2012)Relating Musical Contours: Extensions of a Theory for Contour (1987)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)A Platonic Model of Funky Rhythms (2016)Diagrams, gestures and formulae in music (2007)S cale T heory , S erial T heory and V oice L eading (2008)Introduction to gestural similarity in music. An application of category theory to the orchestra (2018)
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References

  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 2006The Geometry of Musical Chords294 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1987Composition With Pitch-Classes167 cited
  • 2003The topos of music: geometric logic of concepts, theory, and performance154 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"133 cited
  • 1990Composition with Pitch Classes: A Theory of Compositional Design92 cited
  • 2011Generalized Tonnetze17 cited
  • 2009Hamiltonian Cycles in the Topological Dual of the Tonnetz17 cited
  • 2003Implementing algebraic methods in OpenMusic.10 cited
  • 2005The topos of music: geometric logic of concepts, theory, and performance7 cited
  • 2002Performance Fields3 cited

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