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Don’t Touch! Hands Off! Art, Blindness and the Conservation of Expertise
3 references·16 citing·49 second hop
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this work references cited by second hop

References

  • 1994We have never been modern9,294 cited
  • 1996Embodiment and Experience: The Existential Ground of Culture and Self1,274 cited
  • 2003Blindness, Art and Exclusion in Museums and Galleries86 cited

Cited by

  • 2006Scent, Sound and Synaesthesia: Intersensoriality and Material Culture Theory85 cited
  • 2016Redefining Access: Embracing multimodality, memorability and shared experience in Museums77 cited
  • 2020The Museum as Sensescape: Western Sensibilities and Indigenous Artifacts61 cited
  • 2023Understanding Visual Arts Experiences of Blind People56 cited
  • 2018Art, touch and meaning making: an analysis of multisensory interpretation in the museum45 cited
  • 2020Scenting the Anosmic Cube: On the Use of Ambient Scent in the Context of the Art Gallery or Museum45 cited
  • 2018Designing an Interactive Exhibitor for Assisting Blind and Visually Impaired Visitors in Tactile Exploration of Original Museum Pieces40 cited
  • 2020Museum as a Sensory Space: A Discussion of Communication Effect of Multi-Senses in Taizhou Museum40 cited
  • 2019Making Sense of Art37 cited
  • 2016A stone that feels right in the hand: Tactile memory, the abduction of agency and presence of the past35 cited
  • 2014The tourist gaze and “Family Treasure Trails” in museums

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

33 cited
  • 2013Expanding Our Vision of Museum Education and Perception: An Analysis of Three Case Studies of Independent Blind Arts Learners30 cited
  • 2021Touch Screen Exploration of Visual Artwork for Blind People30 cited
  • 2016Museum Education for Children with Disabilities: Development of the Nature Senses Traveling Trunk29 cited
  • 2008Touch, and the Limits of the Rational MuseumorCan Matter Think?28 cited
  • 2022Beyond “do not touch”: the experience of a three-dimensional printed artifacts museum as an alternative to traditional museums for visitors who are blind and partially sighted26 cited