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Janáček's speech-melody theory in concept and practice
7 references·1 citing·29 second hop
Janáček's speech-melody theory in concept and practice (1992)Janáček's speech-melody theory in concept…Analyzing Opera: Verdi and Wagner (1992)Analyzing Opera: Verdi and Wa…What is a musical drama? (1989)What is a musical drama?Wagner, ‘On Modulation’, andTristan (1989)Wagner, ‘On Modulation’, andT…Chapter 3. Opera as Symphony, a Wagnerian Myth (1989)Chapter 3. Opera as Symphony,…Realism in nineteenth-century music (1985)Realism in nineteenth-century…The Makropulos case: reflections on the tedium of immortality (1973)The Makropulos case: reflecti…Problems of the Self (1973)Problems of the SelfThe Language of National Style (2015)The Language of National StyleThe Spanish Civil War (1961)Why immortality is not so bad (1994)Recent Work on the Meaning of Life (2002)Should We Want God to Exist? (2010)The Thematic Process in Music (1951)The Dialogic Imagination: Four Essays (1981)Modern European Intellectual History. Reappraisals and New Perspectives. (1984)Distant sounds – Fallen music: Der ferne Klang as ‘woman's opera’? (1991)Death drive: Eros and Thanatos in Wagner'sTristan und Isolde (1999)Understanding the leitmotif: from Wagner to Hollywood film music (2016)Grundbegriffe der Poetik (1949)Theorie des modernen Dramas (1958)Opera From The Greek: Studies in the Poetics of Appropriation (2008)Gesammelte schriften und dichtungen (2009)Wireless Imaginations (2020)Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century (1984)Wagnerism in European Culture and Politics (1985)Nineteenth-century music (1989)Modernist Movements (2025)The Shame of Headhunters and the Autonomy of Self (1983)The multiplicity of self: neuropsychological evidence and its implications for the self as a construct in psychological research (2010)The Contaminating Effects of Building Instrumental Ties (2014)Becoming a citizen: The chorus inRisorgimentoopera (1990)The dramaturgy of opera (2012)The wish for annihilation in ‘love–death’ as collapse of the need for recognition, in Wagner'sTristan und Isolde (2013)Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre (2021)1 Whose Magic Flute? Intimations Of Reality At The Gates Of The Enlightenment (1991)Imagined Democracies: Necessary Political Fictions (2012)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)
this work references cited by second hop

References

  • 1973Problems of the Self549 cited
  • 1973The Makropulos case: reflections on the tedium of immortality435 cited
  • 1989What is a musical drama?40 cited
  • 1985Realism in nineteenth-century music38 cited
  • 1992Analyzing Opera: Verdi and Wagner38 cited
  • 1989Wagner, ‘On Modulation’, andTristan31 cited
  • 1989Chapter 3. Opera as Symphony, a Wagnerian Myth16 cited

Cited by

  • 2015The Language of National Style11 cited

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