SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Cover Versions in Hong Kong and Japan: Reflections on Music Authenticity
16 references·0 citing·35 second hop
Cover Versions in Hong Kong and Japan: Reflections on Music Authenticity (2012)Cover Versions in Hong Kong and Japan: Re…Understanding Popular Music (2013)Understanding Popular MusicJapanese Popular Music : Culture, Authenticity and Power (2007)Japanese Popular Music : Cult…Faking it: the quest for authenticity in popular music (2007)Faking it: the quest for auth…China (2006)ChinaBlue Chicago: the search for authenticity in urban blues clubs (2004)Blue Chicago: the search for …An Introduction to Theories of Popular Culture (2004)An Introduction to Theories o…Authenticity as authentication (2002)Authenticity as authentication:The Confusions of Pleasure: Commerce and Culture in Ming China (2002):The Confusions of Pleasure: …Biographies of scientific objects (2001)Biographies of scientific obj…Two or Three Things that I Know about Culture (1999)Two or Three Things that I Kn…Creating Country Music: Fabricating Authenticity. (1999)Creating Country Music: Fabri…The Confusions of Pleasure (1998)The Confusions of PleasureGlobal Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…Mapping the Beat: Popular Music and Contemporary Theory (1997)Mapping the Beat: Popular Mus…Creating Country Music (1997)Creating Country MusicWe gotta get out of this place: popular conservatism and postmodern culture (1992)We gotta get out of this plac…CULTURE AND SOCIETY (1959)Six Guns and Society: A Structural Study of the Western. (1976)Popular Appeal Versus Expert Judgments of Motion Pictures (1999)Images of Women?s Sexuality in Advertisements: A Content Analysis of Black- and White-Oriented Women?s and Men?s Magazines (2005)3.2. MARXISM AND LITERATURE (2006)Victual Vicissitudes: Consumer Deskilling and the (Gendered) Transformation of Food Systems (2006)The Invention of Tradition (1986)Modernity at Large: Cultural Dimensions of Globalization. (1998)Voices of Modernity (2003)Is Good Policy Unimplementable? Reflections on the Ethnography of Aid Policy and Practice (2004)Race and Ethnicity in Latin America (2010)The Location of Culture (2012)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)Consulting as a Liminal Space (2003)On the Life of the Object (2005)Auguste Comte and Positivism (2019)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)3. Constructing National Interests (1996)Theoretical and philosophical implications of postmodern debates: some challenges to modern marketing (2006)Normative theories of the media: journalism in democratic societies (2009)Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings (2004)Crafting Brand Authenticity: The Case of Luxury Wines* (2005)Measuring consumer-based brand authenticity (2013)In Search of Authenticity* (2005)Social Entrepreneurship: Why We Don't Need a New Theory and How We Move Forward From Here (2010)Revising the Malthusian Narrative: The Comparative Study of Population Dynamics in Late Imperial China (1998)Time, Money, and the Weather: Ming China and the “Great Depression” of the Mid-Fifteenth Century (2002)The Social Life of Opium in China (2005)
this work references cited by second hop

References

  • 1992We gotta get out of this place: popular conservatism and postmodern culture1,009 cited
  • 2004An Introduction to Theories of Popular Culture833 cited
  • 1997Creating Country Music702 cited
  • 2001Biographies of scientific objects611 cited
  • 1999Two or Three Things that I Know about Culture537 cited
  • 2002Authenticity as authentication485 cited
  • 1999Creating Country Music: Fabricating Authenticity.484 cited
  • 2004Blue Chicago: the search for authenticity in urban blues clubs430 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 1998The Confusions of Pleasure273 cited
  • 2002:The Confusions of Pleasure: Commerce and Culture in Ming China221 cited
  • 1997Mapping the Beat: Popular Music and Contemporary Theory182 cited
  • 2007Faking it: the quest for authenticity in popular music182 cited
  • 2006China173 cited
  • 2013Understanding Popular Music163 cited
  • 2007Japanese Popular Music : Culture, Authenticity and Power69 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work