From Noble Death to Crucified Messiah

Abstract

In his excellent study of crucifixion, Martin Hengel has documented the harsh reality of the penalty in antiquity and has shown that it was seldom portrayed in detail or in an idealized manner. These facts are important and should be kept constantly in mind. They make all the more pressing the question why a detailed narrative of Jesus' death was composed and lead us to look closely at the way the story is told. An ancient opponent of Christianity, Celsus, provides an interesting illustration of both the cultural situation and the literary question. On the one hand, he expressed the general view that crucifixion was the most ignominious and shameful type of death. On the other hand, he made charges that were based, not so much on the disgrace of death by crucifixion as such, but on the way the story is told, on the character of Jesus as revealed by the narrative. As is well known, in part of his work entitled On the True Doctrine, he employed the device of a fictitious Jewish interlocutor. Alluding to the scene in Gethsemane, this critic challenged the teaching that Jesus was a god or the son of the most high God because he hid and tried to escape when the Jews decided that he was worthy of death. Further, this so-called god was betrayed by his own disciples, a criticism that applies to several scenes of the passion narrative. Returning to the Gethsemane story, the interlocutor attacks the theory that Jesus foreknew and intended his sufferings on the basis of his portrayal as mourning and lamenting and praying that this cup might pass from him.

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