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Throughout the brief history of nanoscience and nanotechnology, the prominence of digital images and animations is noteworthy. Many appear in online image galleries that provide an important public interface for presenting and promoting scientific research. In this essay, the authors examine a selection of images from image galleries, identify some of their features and functions, and discuss how the artistic and scientific conventions used to present these images define nanotechnology for both researchers and members of the broader public.
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Stored only when both papers are in the corpus — 25 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.