SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona
7 references·2 citing·27 second hop
Siberian punk shall emerge here: Egor Letov and Grazhdanskaia Oborona (2012)Siberian punk shall emerge here: Egor Let…Everything Was Forever, Until It Was No More (2013)Everything Was Forever, Until…Reading Song Lyrics (2010)Reading Song LyricsVisions of the (Holy) Motherland in Contemporary Russian Popular Music: Nostalgia, Patriotism, Religion andRusskii Rok (2009)Visions of the (Holy) Motherl…Everything was forever, until it was no more: the last Soviet generation (2006)Everything was forever, until…Rock in the reservation : songs from Leningrad Rock Club 1981-86 (2005)Rock in the reservation : son…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Subculture: The Meaning of Style (1981)Subculture: The Meaning of St…Pussy Riot’s Musical Precursors? The National Bolshevik Party Bands, 1994–2007 (2015)Pussy Riot’s Musical Precurso…Sounds of a ‘Rotting City’: Punk in Russia’s Arctic Hinterland (2014)Sounds of a ‘Rotting City’: P…Lipstick traces: a secret history of the twentieth century (1990)Places on the margin: Alternative geographies of modernity (1991)Systems of articulation, logics of change: Communities and scenes in popular music (1991)A Comparison Between Portuguese and Chinese Punks: A Genealogy, Style, and Space (2018)Yearbook for Traditional Music, 23 (1991). Published by the International Council for Traditional Music. 198 pp. paperbound. Included with $30 ICTM membership. - Music and Dance of Aboriginal Australia and the South Pacific: The Effects of Documentation on the Living Tradition edited by Alice Marshall Moyle. Oceania Monograph 41. Sydney: University of Sydney, 1992. iv + 286 pp. paperbound. - Polynesian Music and Dance, by Richard Moyle. Auckland: Centre for Pacific Studies, University of Auckland, 1991. 64 pp. $10 paperbound. (1994)Estonian Invasion as Western Ersatz-pop (2016)Music geography in Russia: non-auratic places and institutionalization “in becoming” (2019)Transcending Distinctions between Religious and Secular Musicianship: Nigerian Pentecostals across Popular Performance Settings (2019)Defining Pussy Riot Musically: Performance and Authenticity in New Media (2013)Punk in Russia (2014)Punk in Russia: Cultural Mutation from the "useless" to the "moronic" (2016)From Pussy Riot’s ‘punk prayer’ to Matilda: Orthodox believers, critique, and religious freedom in Russia (2019)Prehistories and Afterlives: The Packaging and Re-packaging of Soviet Rock (2009)Theory and Method in Popular Music Analysis: Text and Meaning (2012)Publics and Politics (2010)Voicing concern and difference: from public spaces to common-places (2014)Socialities of solidarity: revisiting the gift taboo in times of crises (2016)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Within a Range of Possibilities: Morality and Ethics in Social Life (2009)Socialization in Adolescence (2006)Television and taste hierarchy: the case of Dutch television comedy (2006)The pragmatics of forgiveness: judgments of apologies in the Israeli political arena (2008)Songwriters and song lyrics: architecture, ambiguity and repetition (2015)Catchy and conversational? A register analysis of pop lyrics (2021)Text-linguistic analysis of performed language: revisiting and re-modeling Koch and Oesterreicher (2021)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 2006Everything was forever, until it was no more: the last Soviet generation1,182 cited
  • 2013Everything Was Forever, Until It Was No More840 cited
  • 1981Subculture: The Meaning of Style267 cited
  • 2010Reading Song Lyrics53 cited
  • 2005Rock in the reservation : songs from Leningrad Rock Club 1981-8619 cited
  • 2009Visions of the (Holy) Motherland in Contemporary Russian Popular Music: Nostalgia, Patriotism, Religion andRusskii Rok16 cited

Cited by

  • 2015Pussy Riot’s Musical Precursors? The National Bolshevik Party Bands, 1994–20074 cited
  • 2014Sounds of a ‘Rotting City’: Punk in Russia’s Arctic Hinterland3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work