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Musical Pleasures and Amorous Passions: Stendhal, the Crystallization Process, and Listening to Rossini and Beethoven
14 references·2 citing·35 second hop
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References

  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 1995The Romantic Generation222 cited
  • 1996Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation219 cited
  • 1994Music Analysis in the Nineteenth Century201 cited
  • 1997Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century126 cited
  • 1993Masculine Discourse in Music Theory104 cited
  • 1994A. B. Marx, Berlin Concert Life, and German National Identity85 cited
  • 1997Beethoven: The Philosophy of Music82 cited
  • 1998Musical form in the age of Beethoven: selected writings on theory and method72 cited
  • 1997Musical Form in the Age of Beethoven50 cited
  • 1994The lost voice of Rosine Stoltz33 cited
  • 2017Masculine Discourse in Music Theory32 cited
  • 1989Carl Dahlhaus and the "Ideal Type"24 cited
  • 1988Rossini and the Development of the Mid-Century Lyric Form23 cited

Cited by

  • 2013Verdi, Opera, Women10 cited
  • 2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics

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5 cited