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The Divided Self and the Dark City: Film Noir and Liminality
7 references·2 citing·25 second hop
The Divided Self and the Dark City: Film Noir and Liminality (2008)The Divided Self and the Dark City: Film …Film Noir Reader (2005)Film Noir ReaderCinema Studies: The Key Concepts (2002)Cinema Studies: The Key Conce…The Fictive and the Imaginary: Charting Literary Anthropology (1996)The Fictive and the Imaginary…Acting in the Cinema (1988)Acting in the CinemaThe Anthropology of Performance (1986)The Anthropology of Performan…The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Fou…The Secular Scripture: A Study of the Structure of Romance (1977)The Secular Scripture: A Stud…The Composer and the Studio (2016)The Composer and the StudioFilm-Music Theory (2016)Film-Music TheoryStory and Discourse: Narrative Structure in Fiction and Film (1979)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Narratology: introduction to the theory of narrative (1998)Lo Duca and Dreyer: Baroque Music, Extant Recordings, and Aleatoric Synchrony (2020)Key Terms in Discourse Analysis (2011)Repertoires, characters and scenes: Sociolinguistic difference in Turkish-German comedy (2012)Adoption of green banking practices and environmental performance in Pakistan: a demonstration of structural equation modelling (2021)Negotiating Hollywood: The Cultural Politics of Actors' Labor (1995)The ‘place’ of television in celebrity studies (2010)Feminist Film Studies (2012)Rethinking ethnography: Towards a critical cultural politics (1991)Performing Autoethnography: An Embodied Methodological Praxis (2001)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Economy of Manichean Allegory: The Function of Racial Difference in Colonialist Literature (1985)The Cambridge History of Medieval English Literature (1999)Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives (2010)Servicescape elements, customer predispositions and service experience: The case of theme park visitors (2012)Sympathetic Realism in Nineteenth-Century British Fiction (2012)Imagined futures: fictional expectations in the economy (2013)Gender, Crime, and Desistance: Toward a Theory of Cognitive Transformation (2002)Publics and counterpublics (2003)Translanguaging in the Bilingual Classroom: A Pedagogy for Learning and Teaching? (2010)After Definitions: Genre, Categories, and Cognitive Science (2002)The street was mine: white masculinity in hardboiled fiction and film noir (2003)Cities and cinema (2008)
this work references cited by second hop

References

  • 1981The Dialogic Imagination: Four Essays9,726 cited
  • 1986The Anthropology of Performance2,586 cited
  • 1977The Secular Scripture: A Study of the Structure of Romance594 cited
  • 1988Acting in the Cinema366 cited
  • 1996The Fictive and the Imaginary: Charting Literary Anthropology353 cited
  • 2002Cinema Studies: The Key Concepts231 cited
  • 2005Film Noir Reader54 cited

Cited by

  • 2016The Composer and the Studio3 cited
  • 2016Film-Music Theory3 cited

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