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Memory, Mythmaking, and Museums: Constructive Authenticity and the Primitive Blues Subject
16 references·11 citing·30 second hop
Memory, Mythmaking, and Museums: Constructive Authenticity and the Primitive Blues Subject (2006)Memory, Mythmaking, and Museums: Construc…Thinking About Exhibitions (2005)Thinking About ExhibitionsEscaping the Delta: Robert Johnson and the Invention of the Blues (2004)Escaping the Delta: Robert Jo…Blue Chicago: the search for authenticity in urban blues clubs (2004)Blue Chicago: the search for …The Maasai and the Lion King: Authenticity, Nationalism, and Globalization in African Tourism (2001)The Maasai and the Lion King:…Romancing the Folk: Public Memory and American Roots Music (2001)Romancing the Folk: Public Me…Changing Values in the Art Museum: rethinking communication and learning (2000)Changing Values in the Art Mu…Rethinking authenticity in tourism experience (1999)Rethinking authenticity in to…Making histories in museums (1999)Making histories in museumsDestination culture: tourism, museums, and heritage (1999)Destination culture: tourism,…Destination Culture: Tourism, Museums, and Heritage (1999)Destination Culture: Tourism,…The making of memory: the politics of archives, libraries and museums in the construction of national consciousness (1998)The making of memory: the pol…Public memory and private grief: The construction of shrines at the sites of public tragedy (1998)Public memory and private gri…Reading the Past against the Grain: The Shape of Memory Studies. (1995)Reading the Past against the …Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century. (1993)Remaking America: Public Memo…Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century. (1993)Remaking America: Public Memo…Exhibiting Cultures: The Poetics and Politics of Museum Display. (1992)Exhibiting Cultures: The Poet…The Crossroads: Selling Your Soul for Rock n' Roll (2021)The Crossroads: Selling Your …Examining the ‘histo-remix’: Public memory, Burkean identification and feminism in the musical Six (2020)Examining the ‘histo-remix’: …Performatively Driven: A Genre for Signifying in Popular Music Exhibitions (2019)Performatively Driven: A Genr…Music geography in Russia: non-auratic places and institutionalization “in becoming” (2019)Music geography in Russia: no…Framing the field of popular music history and heritage studies (2018)Framing the field of popular …Curatorial practice in popular music museums: An emerging typology of structuring concepts (2018)Curatorial practice in popula…Transcendent myths, mundane objects: setting the material scene in rock, soul, and country museums (2017)Transcendent myths, mundane o…Heritage Tourism in Singapore Chinatown: A Perceived Value Approach to Authenticity and Satisfaction (2015)Heritage Tourism in Singapore…“I’ve Got Some Antique in Me”: The Discourse of Authenticity and Identity in the African American Blues Community in Austin, Texas (2012)“I’ve Got Some Antique in Me”…Beale Street Blues? Tourism, Musical Labor, and the Fetishization of Poverty in Blues Discourse (2011)Beale Street Blues? Tourism, …Memories of the Alabama Creek War, 1813–1814: U.S. Governmental and Native Identities at the Horseshoe Bend National Military Park (2009)Memories of the Alabama Creek…The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)The consequences of modernity (1990)Staged authenticity and heritage tourism (2003)Exploring the essence of memorable tourism experiences (2011)The Location of Culture (2012)Exploring Consumer Behavior in Virtual Reality Tourism Using an Extended Stimulus-Organism-Response Model (2018)Anthropology and Mass Media (1993)Authenticity and sincerity in tourism (2001)The Languages of Archaeology (2002)Art and Agency An Anthropological Theory (1998)The trouble with tourism and travel theory? (2001)Current sociological theories and issues in tourism (2012)Participatory Communication with Social Media (2008)Enacting engagement online: framing social media use for the museum (2011)How do museums foster loyalty in tech-savvy visitors? The role of social media and digital experience (2021)Making Place, Making Race: Performances of Whiteness in the Jim Crow South (2003)Narratives of Nation-State, Historical Knowledge, and School History Education (2008)Collective Memory Meets Organizational Identity: Remembering to Forget in a Firm's Rhetorical History (2012)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)Crafting Brand Authenticity: The Case of Luxury Wines* (2005)In Search of Authenticity* (2005)Measuring consumer-based brand authenticity (2013)The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space (2005)Between Archive and Participation: Public Memory in a Digital Age (2007)Experiencing Exhibitions: A Review of Studies on Visitor Experiences in Museums (2012)Linking Little Narratives to Big Ones: Narrative and Public Memory in History Museums (2002)Places of Memory (2003)Journalistic Uses of Collective Memory (1999)Memory and place: geographies of a critical relationship (2004)Movements and Memory: The Making of the Stonewall Myth (2006)
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References

  • 1999Rethinking authenticity in tourism experience3,312 cited
  • 1992Exhibiting Cultures: The Poetics and Politics of Museum Display.1,285 cited
  • 1999Destination culture: tourism, museums, and heritage1,056 cited
  • 1993Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century.721 cited
  • 1999Destination Culture: Tourism, Museums, and Heritage637 cited
  • 1995Reading the Past against the Grain: The Shape of Memory Studies.501 cited
  • 2005Thinking About Exhibitions434 cited
  • 2004Blue Chicago: the search for authenticity in urban blues clubs430 cited
  • 1993Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century.430 cited
  • 2000Changing Values in the Art Museum: rethinking communication and learning340 cited
  • 2001The Maasai and the Lion King: Authenticity, Nationalism, and Globalization in African Tourism194 cited
  • 2001Romancing the Folk: Public Memory and American Roots Music169 cited
  • 1998The making of memory: the politics of archives, libraries and museums in the construction of national consciousness167 cited
  • 2004Escaping the Delta: Robert Johnson and the Invention of the Blues165 cited
  • 1998Public memory and private grief: The construction of shrines at the sites of public tragedy

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118 cited
  • 1999Making histories in museums115 cited
  • Cited by

    • 2015Heritage Tourism in Singapore Chinatown: A Perceived Value Approach to Authenticity and Satisfaction154 cited
    • 2009Memories of the Alabama Creek War, 1813–1814: U.S. Governmental and Native Identities at the Horseshoe Bend National Military Park32 cited
    • 2011Beale Street Blues? Tourism, Musical Labor, and the Fetishization of Poverty in Blues Discourse19 cited
    • 2019Performatively Driven: A Genre for Signifying in Popular Music Exhibitions11 cited
    • 2018Framing the field of popular music history and heritage studies8 cited
    • 2018Curatorial practice in popular music museums: An emerging typology of structuring concepts7 cited
    • 2017Transcendent myths, mundane objects: setting the material scene in rock, soul, and country museums5 cited
    • 2012“I’ve Got Some Antique in Me”: The Discourse of Authenticity and Identity in the African American Blues Community in Austin, Texas5 cited
    • 2020Examining the ‘histo-remix’: Public memory, Burkean identification and feminism in the musical Six4 cited
    • 2019Music geography in Russia: non-auratic places and institutionalization “in becoming”4 cited
    • 2021The Crossroads: Selling Your Soul for Rock n' Roll4 cited