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Introduction to a Forum on Religion, Popular Music, and Globalization
12 references·15 citing·32 second hop
Introduction to a Forum on Religion, Popular Music, and Globalization (2006)Introduction to a Forum on Religion, Popu…Dialectic of Enlightenment (2020)Dialectic of EnlightenmentMusic Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…The Sacred Gaze (2005)The Sacred GazeGlobalization and the Religious Production of Space (2005)Globalization and the Religio…Five Percenter rap: God hop's music, message, and black Muslim mission (2005)Five Percenter rap: God hop's…The Audible Past (2003)The Audible PastThe Visual Culture of American Religions (2002)The Visual Culture of America…Apostles of rock: the splintered world of contemporary Christian music (2000)Apostles of rock: the splinte…The Global Jukebox: The International Music Industry (1997)The Global Jukebox: The Inter…Bringing It All Back Home: Essays on Cultural Studies (1997)Bringing It All Back Home: Es…Noise: The Political Economy of Music (1986)Noise: The Political Economy …Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…Religion as a Tools for Unity and Faith, Peace, and Progress in Nigeria (2023)Religion as a Tools for Unity…Witnessing Race in the New Digital Cinema (2019)Witnessing Race in the New Di…Vaporwave is Dead, Long Live Vaporwave! (2019)Vaporwave is Dead, Long Live …Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes (2019)Toward a History of Digital M…The Political Economy of Streaming (2019)The Political Economy of Stre…Technologies of the Musical Selfie (2019)Technologies of the Musical S…On Serving as an Expert Witness in the ‘Blurred Lines’ Case (2019)On Serving as an Expert Witne…Digital Technology and Cultural Practice (2019)Digital Technology and Cultur…Digital Inequalities and Global Sounds (2019)Digital Inequalities and Glob…Cultural Memory and Music (2018)Cultural Memory and MusicMediação & midiatização (2012)Mediação & midiatizaçãoUnderstanding the Diversity of Islamic Identity in Turkey through Popular Music: The Global/Local Nexus (2011)Understanding the Diversity o…The Concept ofSceneand its Applicability in Empirically Grounded Research on the Intersection of Religion/Spirituality and Popular Music (2011)The Concept ofSceneand its Ap…The internet and the construction of a transnational Christian metal music scene (2008)The internet and the construc…The Transnational Christian Metal Scene Expressing Alternative Christian Identity through a Form of Popular Music (2007)The Transnational Christian M…Disjuncture and Difference in the Global Cultural Economy (1990)The Production of Space (1992)The Clash of Civilizations? (1993)The Internet Highway and Religious Communities: Mapping and Contesting Spaces in Religion-Online (2009)Beyond Broken: Affective Spaces and the Study of American Religion (2013)Intersecting Religioscapes: A Comparative Approach to Trajectories of Change, Scale, and Competitive Sharing of Religious Spaces (2013)Public Pedagogy and the Politics of Resistance: Notes on a critical theory of educational struggle (2003)Rethinking Critical Theory and Qualitative Research (2011)Affective publics and structures of storytelling: sentiment, events and mediality (2015)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)The Relevance of Algorithms (2014)Digitalization (2016)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Local music policies within a global music industry: cultural quarters in Manchester and Sheffield (2000)Soundscapes: Toward a Sounded Anthropology (2010)What Is Sociological about Music? (2010)The Cultural Economy of Cities (1997)For Public Sociology (2005)Toward a Global Idea of Race (2010)Sacred Places, Domestic Spaces: Material Culture, Church, and Home at Our Lady of the Assumption and St. Brigitta (2009)The origin and mission of Material Religion (2010)Thinking Religion Through Things (2015)Classification as Culture: Types and Trajectories of Music Genres (2008)Ritual and Its Consequences (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)Club cultures: music, media and subcultural capital (1996)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)Mediation and immediacy: sensational forms, semiotic ideologies and the question of the medium (2011)Iconic Religion in Urban Space (2016)
this work references cited by second hop

References

  • 2020Dialectic of Enlightenment5,765 cited
  • 2003The Audible Past1,821 cited
  • 1986Noise: The Political Economy of Music1,617 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 2005The Sacred Gaze449 cited
  • 1997Bringing It All Back Home: Essays on Cultural Studies420 cited
  • 1997The Global Jukebox: The International Music Industry245 cited
  • 2002The Visual Culture of American Religions117 cited
  • 2005Globalization and the Religious Production of Space102 cited
  • 2005Five Percenter rap: God hop's music, message, and black Muslim mission82 cited
  • 2000Apostles of rock: the splintered world of contemporary Christian music81 cited

Cited by

  • 2019Digital Technology and Cultural Practice20 cited
  • 2011The Concept ofSceneand its Applicability in Empirically Grounded Research on the Intersection of Religion/Spirituality and Popular Music17 cited
  • 2019The Political Economy of Streaming17 cited
  • 2019Witnessing Race in the New Digital Cinema

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16 cited
  • 2019On Serving as an Expert Witness in the ‘Blurred Lines’ Case15 cited
  • 2019Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes12 cited
  • 2018Cultural Memory and Music10 cited
  • 2008The internet and the construction of a transnational Christian metal music scene9 cited
  • 2012Mediação & midiatização9 cited
  • 2019Vaporwave is Dead, Long Live Vaporwave!7 cited
  • 2011Understanding the Diversity of Islamic Identity in Turkey through Popular Music: The Global/Local Nexus5 cited
  • 2007The Transnational Christian Metal Scene Expressing Alternative Christian Identity through a Form of Popular Music4 cited
  • 2019Digital Inequalities and Global Sounds4 cited
  • 2023Religion as a Tools for Unity and Faith, Peace, and Progress in Nigeria3 cited
  • 2019Technologies of the Musical Selfie3 cited