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Abstract Optimality Theory predicts that harmonic scales can be encoded in grammar in one of two ways: either as markedeness hierarchies or else as faithfulness hierarchies. Although most current researchers assume that harmony is encoded as markedness, many investigators have argued that some harmonic relations are better captured as faithfulness hierarchies that prevent the deletion or insertion of less harmonic elements. We demonstrate that at least two perceptually-motivated harmonic scales — notably relative vowel height as well as consonant glottalisation — need to be encoded in the grammar as faithfulness hierarchies which require that more harmonic elements, which are also more perceptible, are more faithfully adhered to. Ourharmony-as-faithfulnessanalysis captures the fact that the same elements which undergo deletion also undergo insertion.
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