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Cited by

• 2011Release the Moths: Critical Animal Studies and the Posthumanist Impulse73 cited
• 2009`Flagging' the Skin: Corporeal Nationalism and the Properties of Belonging66 cited
• 2012Media and Prosthesis55 cited
• 2017Bringing the (disabled) body to personality psychology: A case study of Samantha46 cited
• 2010I-cyborg: disability, affect and public pedagogy36 cited
• 2016Representing Posthuman Embodiment: Considering Disability and the Case of Aimee Mullins33 cited
• 2015The Civil War’s “Empty Sleeve” and the Cultural Production of Disabled Americans32 cited
• 2010Docile bodies, supercrips, and the plays of prosthetics23 cited
• 2010Bernard Stiegler: Philosophy, Technics, and Activism22 cited
• 2021Calling for a Hero: The Displacement of the Nezha Archetypal Image from Chinese Animated Film Nezha Naohai (1979) to New Gods: Nezha Reborn (2021)18 cited
• 2018Thermal Sensations—Burning the Flesh of the World15 cited
• 2009REPRESENTATIONS OF THE ABNORMAL BODY IN THE MOONSTONE14 cited
• 2020Shakespeare, Technicity, Theatre12 cited
• 2009"To Invest a Cripple with Peculiar Interest": Artificial Legs and Upper-Class Amputees at Mid-Century12 cited