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Abstract The Canek manuscript is written in a distinctive linguistic style, probably a local variant of Spanish influenced by Yucatec Maya and archaic forms of Spanish. It also reflects a curiously ambivalent perspective on the Itza king Canek, at once aligning him with the pagan Indians and suggesting an affinity with Saint Francis. Like many other colonial texts, the four extant folia of this manuscript show a blending of verbal genres. This paper presents a discourse analysis of the manuscript, demonstrating that it is organized according to a systematic rhetorical structure based on syntactic foregrounding, poetic parallelism and thematic development. Placed in the context of other colonial documents, this one displays the cultural and linguistic ambivalence of its author.
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