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The role of music communication in cinema
8 references·3 citing·33 second hop
The role of music communication in cinema (2005)The role of music communication in cinemaNarration in the Fiction Film (2013)Narration in the Fiction FilmAnalysing Musical Multimedia (2001)Analysing Musical MultimediaAudio-vision: sound on screen (1994)Audio-vision: sound on screenUnheard melodies: narrative film music (1988)Unheard melodies: narrative f…On the Musically Beautiful: A Contribution towards the Revision of the Aesthetics of Music (1987)On the Musically Beautiful: A…The Study of Ethnomusicology (1986)The Study of EthnomusicologySong Structure and Social Structure (1962)Song Structure and Social Str…Emotion and Meaning in Music (1961)Emotion and Meaning in MusicGender and Music Composition: A Study of Music, and the Gendering of Meanings (2016)Gender and Music Composition:…Narrative Music, Visuals and Meaning in Film (2010)Narrative Music, Visuals and …Social Cognition in Spectating (2008)Social Cognition in SpectatingReading images: the grammar of visual design (1996)LITERACY IN THE NEW MEDIA AGE (2003)Reading Images (2006)Analyzing layering in textual design: a multimodal approach for examining cultural, linguistic, and social migrations in digital video (2011)Humour, ridicule and the de-legitimization of the working class in Swedish Reality Television (2016)Soundtrack for love: wedding videography, music and romantic memory (2019)Phénoménologie de la perception (1976)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Perception and the Representative Design of Psychological Experiments (1956)Gender schema theory: A cognitive account of sex typing. (1981)Not just composing, but programming music in group robotics (2020)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)Epistemologies of music theory (2002)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Nineteenth-Century Fortunes of Musical Formalism (2011)Theorizing Musical Meaning (2001)Seeing music performance: Visual influences on perception and experience (2005)Multimodal Metaphor in Ten Dutch TV Commercials (2007)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)Death metal tonality and the act of listening (1999)The possibility of impossible cultures (2009)The Development of Musical Skills of Underprivileged Children Over the Course of 1 Year: A Study in the Context of an El Sistema-Inspired Program (2016)Perceptual judgement of the relationship between musical and visual components in film. (1994)“Race records” and “hillbilly music”: institutional origins of racial categories in the American commercial recording industry (2004)Improvisation and Social Aesthetics (2017)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)
this work references cited by second hop

References

  • 1961Emotion and Meaning in Music1,957 cited
  • 1994Audio-vision: sound on screen1,584 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1988Unheard melodies: narrative film music1,038 cited
  • 2001Analysing Musical Multimedia290 cited
  • 1962Song Structure and Social Structure173 cited
  • 1986The Study of Ethnomusicology157 cited
  • 1987On the Musically Beautiful: A Contribution towards the Revision of the Aesthetics of Music116 cited

Cited by

  • 2010Narrative Music, Visuals and Meaning in Film48 cited
  • 2016Gender and Music Composition: A Study of Music, and the Gendering of Meanings25 cited
  • 2008Social Cognition in Spectating12 cited

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