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That the philosophical tenets of scholastic nominalism underwrite Chaucer’s poetry has been firmly established in Chaucer studies, yet whether Chaucer’s allegiance on the question of universals lies with realist or nominalist epistemology—or with neither—still remains a point of critical contention.1 This philosophical problem of universals structures the conflicts of Chaucer’s eponymous heroes in Troilus and Criseyde, who oscillate between
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