MODERNISM AND ORIENTALISM: THE AMBIGUOUS NUDES OF CHINESE ARTIST PAN YULIANG

Phyllis Hwee Leng Teo

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Art, Politics, and Modernism Historical Art and Culture Studies Art, Aesthetics, and Perception

Abstract

At the successful staging of 20th Century Chinese Art organized by Christie’s, held in Hong Kong in November 2005, an auction record was set for a work by deceased artist Pan Yuliang (潘玉良, 1895-1977).1 Previously estimated to be between HK$3-3.5 million (approximately US$384,600-448,700) in value before the sale, the partially

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2003Can the Subaltern Speak?1990The politics of vision: essays on nineteenth-century art and society 1998Olympia’s Maid 1994Nineteenth century art: a critical history 1994Sisters of the brush: women's artistic culture in late nineteenth-century Paris 1985Women as portrayed in orientalist painting 1989Chinese Art and Chinese Artists in France (1924-1925)

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2019Intergradation of Eastern and Western Art: An Analysis of Pan Yuliang’s Paintings and their Significance

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