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Musical genre as a gendered process: Authenticity in extreme metal
16 references·11 citing·35 second hop
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References

  • 1991Gender Trouble: Feminism and the Subversion of Identity29,379 cited
  • 1992Basics of Qualitative Research: Grounded Theory Procedures and Techniques.29,249 cited
  • 2006Constructing grounded theory : a practical guide through qualitative analysis18,720 cited
  • 2005Hegemonic Masculinity9,353 cited
  • 1987Doing Gender8,939 cited
  • 1971Analyzing social settings : a guide to qualitative observation and analysis5,634 cited
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  • 1988Performative Acts and Gender Constitution : An Essay in Phenomenology and Feminist Theory2,921 cited
  • 1997Manhood in America: A Cultural History.1,641 cited
  • 1997Performing rites: on the value of popular music1,310 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1999Creating Country Music: Fabricating Authenticity.484 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 2004Blue Chicago: the search for authenticity in urban blues clubs430 cited
  • 1996Metalheads: Heavy Metal Music And Adolescent Alienation

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202 cited

Cited by

  • 2018Contextualizing the mental health of metal youth: A community for social protection, identity, and musical empowerment19 cited
  • 2013Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene15 cited
  • 2019Defining contemporary metal music: Performance, sounds and practices13 cited
  • 2016‘Getting My Soul Back’10 cited
  • 2015Metal and marginalization: Researching at the edges of exteriority9 cited
  • 2021When love and critique collide:1 Methodology, ontology, fandom and standpoint in metal research7 cited
  • 2014Brothers of Metal! Heavy Metal Masculinities, Moshpit Practices and Homosociality6 cited
  • 2020Receiving, Remixing, Recuperating “Rebecca Black—Friday”5 cited
  • 2021Femininity in metal fanship: ‘I do not need to take anyone along’4 cited
  • 2019‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive3 cited
  • 2016‘Power has a penis’: Cost reduction, social exchange and sexism in metal – reviewing the work of Sonia Vasan2 cited