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Musical Effects: Glocal Identities and Consumer Activism
16 references·0 citing·39 second hop
Musical Effects: Glocal Identities and Consumer Activism (2008)Musical Effects: Glocal Identities and Co…Consumer Culture Theory (CCT): Twenty Years of Research (2005)Consumer Culture Theory (CCT)…Adversaries of Consumption: Consumer Movements, Activism, and Ideology (2004)Adversaries of Consumption: C…Working Weeks, Rave Weekends: Identity Fragmentation and the Emergence of New Communities (2002)Working Weeks, Rave Weekends:…The Politics of Consumption: A Re-Inquiry on Thompson and Haytko's (1997) “Speaking of Fashion”: Table 1 (2002)The Politics of Consumption: …Qualitative research & evaluation methods (2002)Qualitative research & evalua…Music in Movement: Cultural Politics and Old and New Social Movements (2002)Music in Movement: Cultural P…Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Can Consumers Escape the Mark…Speaking of Fashion: Consumers' Uses of Fashion Discourses and the Appropriation of Countervailing Cultural Meanings (1997)Speaking of Fashion: Consumer…Liberatory Postmodernism and the Reenchantment of Consumption (1995)Liberatory Postmodernism and …I'm Hip: An Autobiographical Account of some Musical Consumption Experiences (1995)I'm Hip: An Autobiographical …Rockin' the boat: mass music and mass movements (1993)Rockin' the boat: mass music …Noise, the Political Economy of Music (1989)Noise, the Political Economy …Noise... The Political Economy of Music (1988)Noise... The Political Econom…The Voice and the Eye: An Analysis of Social Movements. By Alain Touraine. Translated By Alan Duff. (New York: Cambridge University Press, 1981. Pp. xiii + 225. $37.50, cloth; $12.95, paper.) (1982)The Voice and the Eye: An Ana…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…Elements of Semiology (1967)Elements of SemiologyIdentity : Youth and Crisis. 1968 (1968)The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun (1982)On the conceptual link between mass customisation and experiential consumption: an explosion of subjectivity (2001)Grounded theory, ethnography and phenomenology (2005)Sustainable fashion consumption and the fast fashion conundrum: fashionable consumers and attitudes to sustainability in clothing choice (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Discipline and Punish: The Birth of the Prison. (1978)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)“Too Good to be True!”. The Effectiveness of CSR History in Countering Negative Publicity (2008)Creating the Responsible Consumer: Moralistic Governance Regimes and Consumer Subjectivity (2014)Purity and Danger (1966)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Why Do Brands Cause Trouble? A Dialectical Theory of Consumer Culture and Branding (2002)Complaining to the Masses: The Role of Protest Framing in Customer-Created Complaint Web Sites (2006)Conceptualizing the electronic word-of-mouth process: What we know and need to know about eWOM creation, exposure, and evaluation (2019)Possessions and the Extended Self (1988)Evolving to a New Dominant Logic for Marketing (2003)Managing the co-creation of value (2007)Customer Engagement (2011)Consumer Brand Engagement in Social Media: Conceptualization, Scale Development and Validation (2014)The Interpretation of Cultures (2017)Economic Action and Social Structure: The Problem of Embeddedness (1985)Bowling alone (2000)Teaching Old Brands New Tricks: Retro Branding and the Revival of Brand Meaning (2003)We Are What We Post? Self-Presentation in Personal Web Space (2003)Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings (2004)The Discovery of Grounded Theory (2017)Culture and Consumption: A Theoretical Account of the Structure and Movement of the Cultural Meaning of Consumer Goods (1986)Valuing Things: The Public and Private Meanings of Possessions (1994)Sharing Meaning Across Occupational Communities: The Transformation of Understanding on a Production Floor (2003)Demonstrating Rigor Using Thematic Analysis: A Hybrid Approach of Inductive and Deductive Coding and Theme Development (2006)Code Saturation Versus Meaning Saturation (2016)How to plan and perform a qualitative study using content analysis (2016)Club cultures: music, media and subcultural capital (1996)A Sweet Lullaby for World Music (2000)Classification as Culture: Types and Trajectories of Music Genres (2008)Doing anthropology in sound (2004)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)
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References

  • 2002Qualitative research & evaluation methods15,582 cited
  • 2005Consumer Culture Theory (CCT): Twenty Years of Research3,671 cited
  • 1995Liberatory Postmodernism and the Reenchantment of Consumption1,633 cited
  • 1967Elements of Semiology1,278 cited
  • 2002Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man1,251 cited
  • 2004Adversaries of Consumption: Consumer Movements, Activism, and Ideology1,034 cited
  • 1997Speaking of Fashion: Consumers' Uses of Fashion Discourses and the Appropriation of Countervailing Cultural Meanings845 cited
  • 1989Noise, the Political Economy of Music710 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 1988Noise... The Political Economy of Music600 cited
  • 1982The Voice and the Eye: An Analysis of Social Movements. By Alain Touraine. Translated By Alan Duff. (New York: Cambridge University Press, 1981. Pp. xiii + 225. $37.50, cloth; $12.95, paper.)508 cited
  • 2002Working Weeks, Rave Weekends: Identity Fragmentation and the Emergence of New Communities270 cited
  • 1993Rockin' the boat: mass music and mass movements225 cited
  • 2002The Politics of Consumption: A Re-Inquiry on Thompson and Haytko's (1997) “Speaking of Fashion”: Table 1189 cited

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2002
Music in Movement: Cultural Politics and Old and New Social Movements
119 cited
  • 1995I'm Hip: An Autobiographical Account of some Musical Consumption Experiences42 cited
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