Granice poznania dzieła malarskiego jako dzieła „sztuki” pradziejowej. Na kanwie rozważań Romana Ingardena

Danuta Minta-Tworzowska

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Archaeology and Rock Art Studies Phenomenology and Existential Philosophy Art, Aesthetics, and Perception

Abstract

The aim of the article is to discuss how phenomenological method might be applied for interpretation of rock paintings as works of prehistoric “art”. Polish phenomenologist, Roman Ingarden’s deliberations will be referred to, his diagnosis of cognitive attitudes towards works of music, with the aim of illustrating their usefulness on the ground of archaeology for interpretation of works of prehistoric “art”.

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References

1998After the End of Art: Contemporary Art and the Pale of History 1974Languages of Art: An Approach to a Theory of Symbols 2001Metaphor and Material Culture 1988John Dewey's Theory of Art, Experience, and Nature: The Horizons of Feeling 1991Metaphor and material culture 1981The Anthropology of Art 1952Four Hundred Centuries of Cave Art 2004Symbols through time : interpreting the rock art of Central Asia

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