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Projections of Diasporic Sensibilities through Travel: Wong Kar Wai in/and My Blueberry Nights
11 references·1 citing·30 second hop
Projections of Diasporic Sensibilities through Travel: Wong Kar Wai in/and My Blueberry Nights (2015)Projections of Diasporic Sensibilities th…At Full Speed: Hong Kong Cinema in a Borderless World (2015)At Full Speed: Hong Kong Cine…Melancholy Drift: Marking Time in Chinese Cinema (2010)Melancholy Drift: Marking Tim…Cities and cinema (2008)Cities and cinemaCelluloid comrades: representations of male homosexuality in contemporary Chinese cinemas (2007)Celluloid comrades: represent…Wong Kar-Wai (2005)Wong Kar-WaiA Tale of Three Cities (2002)A Tale of Three CitiesThe Cinema of Hong Kong: history, arts, identity (2001)The Cinema of Hong Kong: hist…Flexible Citizenship: The Cultural Logics of Transnationality (2001)Flexible Citizenship: The Cul…An Accented Cinema : Exilic and Diasporic Filmmaking (2001)An Accented Cinema : Exilic a…Cartographies of Diaspora: Contesting Identities (1996)Cartographies of Diaspora: Co…The Production of Space (1992)The Production of Space“I Didn’t Think We’d Be Like Them”; or, Wong Kar Wai, Hongkonger (2018)“I Didn’t Think We’d Be Like …The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change (1991)American Apartheid: Segregation and the Making of the Underclass. (1993)The repugnant appeal of the abject: cityscape and cinematic corporality inDistrict 9 (2012)Beyond Representation: Film as a Pedagogical Tool in Urban Geography (2013)Unveiling the Biographies of Media: On the Role of Narratives, Anecdotes, and Storytelling in the Construction of New Media's Histories (2016)Positioning auteur theory in Chinese cinemas studies: intratextuality, intertextuality and paratextuality in the films of Tsai Ming-liang (2007)Queer cultural movements and local counterpublics of sexuality: a case of Seoul Queer Films and Videos Festival1 (2007)Unhappy Desires and Queer Postsocialist Futures Unhappy Desires and Queer Postsocialist Futures: Hong Kong and Buenos Aires in Wong Kar-wai’s Happy Together (2017)Rethinking authenticity in tourism experience (1999)Cities and the Geographies of “Actually Existing Neoliberalism” (2002)The Politics and Poetics of Infrastructure (2013)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Conceptualizing Simultaneity : A Transnational Social Field Perspective on Society (2007)Slumdog Cities: Rethinking Subaltern Urbanism (2011)Transnational imagination in action cinema: Hong Kong and the making of a global popular culture (2004)The Chinese Exotic (2007)Adapted for the screen: the cultural politics of modern Chinese fiction and film (2010)Sentimental Returns: On the Uses of the Everyday in the Recent Films of Zhang Yimou and Wong Kar-wai (2002)Shakespeare and World Cinema (2012)Networks of Action: Sustainable Health Information Systems Across Developing Countries1 (2004)On Time, Space, and Action Nets (2004)The dynamics of place brands (2013)QUEERLY INTIMATE: (2012)Trans-in-Asia, Asia-in-Trans (2018)Beyond Bollywood : the cultural politics of South Asian diasporic film (2004)Film Festivals : From European Geopolitics to Global Cinephilia (2007)Concepts of transnational cinema: towards a critical transnationalism in film studies (2010)“Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles (2003)Understanding Home: A Critical Review of the Literature (2004)Intersectionality as buzzword (2008)
this work references cited by second hop

References

  • 1992The Production of Space9,639 cited
  • 2001Flexible Citizenship: The Cultural Logics of Transnationality4,328 cited
  • 1996Cartographies of Diaspora: Contesting Identities3,386 cited
  • 2001An Accented Cinema : Exilic and Diasporic Filmmaking476 cited
  • 2015At Full Speed: Hong Kong Cinema in a Borderless World213 cited
  • 2002A Tale of Three Cities196 cited
  • 2007Celluloid comrades: representations of male homosexuality in contemporary Chinese cinemas98 cited
  • 2005Wong Kar-Wai91 cited
  • 2001The Cinema of Hong Kong: history, arts, identity84 cited
  • 2008Cities and cinema47 cited
  • 2010Melancholy Drift: Marking Time in Chinese Cinema31 cited

Cited by

  • 2018“I Didn’t Think We’d Be Like Them”; or, Wong Kar Wai, Hongkonger19 cited

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