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Binary mixtures of ethylene containing copolymers and low molecular weight resins: A new approach towards specifically tuned art conservation products
15 references·1 citing·34 second hop
Binary mixtures of ethylene containing copolymers and low molecular weight resins: A new approach towards specifically tuned art conservation products (2015)Binary mixtures of ethylene containing co…The long-term stability of a popular heat-seal adhesive for the conservation of painted cultural objects (2014)The long-term stability of a …The evaluation of selected poly(vinyl acetate) and acrylic adhesives: A final research update (2014)The evaluation of selected po…Original and reformulated BEVA ® 371: Composition and assessment as a consolidant for painted surfaces (2014)Original and reformulated BEV…Characterization and degradation of poly(vinyl acetate)-based adhesives for canvas paintings (2014)Characterization and degradat…A study on reversibility of BEVA®371 in the lining of paintings (2014)A study on reversibility of B…Study of ageing of ketone resins used as picture varnishes by pyrolysis–silylation–gas chromatography–mass spectrometry (2008)Study of ageing of ketone res…Study of ageing of ketone resins used as picture varnishes by FTIR spectroscopy, UV–Vis spectrophotometry, atomic force microscopy and scanning electron microscopy X-ray microanalysis (2008)Study of ageing of ketone res…The evaluation of Laropal A81: Paraloid B‐72 polymer blend varnishes for painted and decorative surfaces – appearance and practical considerations (2001)The evaluation of Laropal A81…Regalrez in Furniture Conservation (2001)Regalrez in Furniture Conserv…Evaluating the use of adhesives in textile conservation: Part I: An overview and surveys of current use (1997)Evaluating the use of adhesiv…Adhesive Testing at the Canadian Conservation Institute: An Evaluation of Selected Poly(Vinyl Acetate) and Acrylic Adhesives (1996)Adhesive Testing at the Canad…Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives (1996)Adhesive testing at the Canad…NEW SYNTHETIC RESINS FOR PICTURE VARNISHES (1990)NEW SYNTHETIC RESINS FOR PICT…Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Materials for Conservation; O…FORMULATING ADHESIVES FOR THE CONSERVATION OF PAINTINGS (1972)FORMULATING ADHESIVES FOR THE…The photostability and peel strength of ethylene butyl acrylate copolymer blends for use in conservation of cultural heritage (2021)The photostability and peel s…Recent Advances in Conservation (1967)HEAT-SEAL LINING OF A TORN PAINTING WITH BEVA 371 (1975)Effects of gamma rays on a restored painting from the XVIIth century (2002)The Influence of Varnishes on the Appearance of Paintings (1987)Photochemical and Thermal Degradation of Films of Dammar Resin (1988)The Extraction of Soluble Components from an Oil Paint Film by a Varnish Solution (2000)The Effect of the Refractive Index of a Varnish on the Appearance of Oil Paintings (2003)Photo-catalytic degradation of binding media of ultramarine blue containing paint layers: A new perspective on the phenomenon of “ultramarine disease” in paintings (2017)Chemical Principles of Textile Conservation (2000)New Methodologies for the Conservation of Cultural Heritage: Micellar Solutions, Microemulsions, and Hydroxide Nanoparticles (2010)Chemical Principles of Textile Conservation (2012)Non-destructive and micro-invasive testing techniques for characterizing materials, structures and restoration problems in mural paintings (2016)How Science Can Contribute to the Remedial Conservation of Cultural Heritage (2021)Chemistry directs the conservation of paper cultural relics (2022)The Artist's Handbook of Materials and Techniques (1940)6th International Meeting on Retouching of Cultural Heritage. 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References

  • 1988Materials for Conservation; Organic Consolidants, Adhesives and Coatings312 cited
  • 1996Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives153 cited
  • 1996Adhesive Testing at the Canadian Conservation Institute: An Evaluation of Selected Poly(Vinyl Acetate) and Acrylic Adhesives70 cited
  • 1990NEW SYNTHETIC RESINS FOR PICTURE VARNISHES61 cited
  • 2014Characterization and degradation of poly(vinyl acetate)-based adhesives for canvas paintings57 cited
  • 2014The evaluation of selected poly(vinyl acetate) and acrylic adhesives: A final research update28 cited
  • 2014The long-term stability of a popular heat-seal adhesive for the conservation of painted cultural objects27 cited
  • 1972FORMULATING ADHESIVES FOR THE CONSERVATION OF PAINTINGS26 cited
  • 1997Evaluating the use of adhesives in textile conservation: Part I: An overview and surveys of current use24 cited
  • 2001The evaluation of Laropal A81: Paraloid B‐72 polymer blend varnishes for painted and decorative surfaces – appearance and practical considerations24 cited
  • 2008Study of ageing of ketone resins used as picture varnishes by FTIR spectroscopy, UV–Vis spectrophotometry, atomic force microscopy and scanning electron microscopy X-ray microanalysis22 cited
  • 2014Original and reformulated BEVA ® 371: Composition and assessment as a consolidant for painted surfaces20 cited
  • 2001Regalrez in Furniture Conservation

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18 cited
  • 2008Study of ageing of ketone resins used as picture varnishes by pyrolysis–silylation–gas chromatography–mass spectrometry18 cited
  • 2014A study on reversibility of BEVA®371 in the lining of paintings15 cited
  • Cited by

    • 2021The photostability and peel strength of ethylene butyl acrylate copolymer blends for use in conservation of cultural heritage8 cited