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Teaching “Trad”: A Fiddling Ethnomusicologist’s Reflections on Fiddle Camp
4 references·0 citing·12 second hop
Teaching “Trad”: A Fiddling Ethnomusicologist’s Reflections on Fiddle Camp (2011)Teaching “Trad”: A Fiddling Ethnomusicolo…"De par chez nous:" Fiddling Traditions and Acadian Identity on Prince Edward Island (2012)"De par chez nous:" Fiddling …When the Tribe Goes Triple Platinum: A Case Study Toward an Ethnomusicology of Mainstream Popular Music in the U.S. (2011)When the Tribe Goes Triple Pl…Performing the old world, embracing the new: Festivalization, the carnivalesque, and the creation and maintenance of community in north american hungarian folk music and dance camps (2008)Performing the old world, emb…Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology (1998)Shadows in the Field: New Per…Folklore, cultural performances, and popular entertainments : a communications-centered handbook (1992)Destination Culture: Tourism, Museums, and Heritage (1999)The Norton anthology of theory and criticism (2002)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Subculture: The Meaning of Style (1995)Routes: Travel and Translation in the Late Twentieth Century. (1998)Ethnography in Western Popular Music Research Revisited (2021)Western Popular Music, Ethnomusicology, and Curricular Reform: A History and a Critique (2021)PerformingAcadie: Marketing Pan-Acadian Identity in the Music of Vishtèn (2012)Psychology for Musicians (2007)The Art of Doing (Geographies of) Music (2007)Apprenticeship as method: embodied learning in ethnographic practice (2014)
this work references cited by second hop

References

  • 1998Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology305 cited
  • 2011When the Tribe Goes Triple Platinum: A Case Study Toward an Ethnomusicology of Mainstream Popular Music in the U.S.7 cited
  • 2012"De par chez nous:" Fiddling Traditions and Acadian Identity on Prince Edward Island6 cited
  • 2008Performing the old world, embracing the new: Festivalization, the carnivalesque, and the creation and maintenance of community in north american hungarian folk music and dance camps4 cited

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