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Repurposing the High Line: Aesthetic experience and contradiction in West Chelsea
16 references·2 citing·31 second hop
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this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1991Postmodernism, or, The cultural logic of late capitalism9,294 cited
  • 1992Postmodernism, or, The Cultural Logic of Late Capitalism6,961 cited
  • 1991The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change4,953 cited
  • 1990The condition of postmodernity: an enquiry into the origins of cultural change4,781 cited
  • 1996The Field of Cultural Production: Essays on Art and Literature4,672 cited
  • 2002New Globalism, New Urbanism: Gentrification as Global Urban Strategy2,376 cited
  • 2024Revolution in Poetic Language2,330 cited
  • 1986Social Formation and Symbolic Landscape2,220 cited
  • 1973Relations in Public: Microstudies of the Public Order.2,036 cited
  • 1994Critique of Judgment1,599 cited
  • 1988The Ideology of the Aesthetic1,455 cited
  • 2006The Right to Stay Put, Revisited: Gentrification and Resistance to Displacement in New York City833 cited
  • 2001Doing Visual Ethnography: Images, Media and Representation in Research799 cited
  • 2010Naked city: the death and life of authentic urban places719 cited

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1995
The creative city
692 cited

Cited by

  • 2017How Architecture became Capitalism’s Handmaiden: Architecture as Alibi for The High Line’s Neoliberal Space of Capital Accumulation7 cited
  • 2022Infrastructural reuse projects, lost spaces, and spaces of homelessness: a case study on the Bentway in Toronto7 cited