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Religious and National Identity in My Name is Khan
16 references·0 citing·30 second hop
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References

  • 1976The Ritual Process: Structure and Anti-Structure6,725 cited
  • 1971The Ritual Process. Structure and Anti-Structure3,447 cited
  • 1975Dramas, Fields, and Metaphors: Symbolic Action in Human Society2,050 cited
  • 2002Bollywood cinema: temples of desire425 cited
  • 2008Islamophobia: Making Muslims the Enemy182 cited
  • 2012Producing Bollywood: inside the contemporary Hindi film industry124 cited
  • 2008Islamophobia: making Muslims the enemy110 cited
  • 2009Mourning the nation: Indian cinema in the wake of Partition108 cited
  • 2006Filming the Gods: Religion and Indian Cinema99 cited
  • 2015Bollywood's India: Hindi cinema as a guide to contemporary India74 cited
  • 2007Is There an Indian Way of Filmmaking?71 cited
  • 2013Producing Bollywood: Inside the Contemporary Hindi Film Industry66 cited
  • 2010Reframing Bollywood: Theories of Popular Hindi Cinema44 cited
  • 2008King of Bollywood: Shah Rukh Khan and the seductive world of Indian cinema30 cited
  • 2008The Bollywood Reader22 cited
  • 2011FromPadositoMy Name is Khan: The Portrayal of Hindu–Muslim Relations in South Asian Films

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