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Historical duty, palimpsestic time and migration in the Decade of Centenaries
16 references·0 citing·31 second hop
Historical duty, palimpsestic time and migration in the Decade of Centenaries (2015)Historical duty, palimpsestic time and mi…Narcissistic Spectatorship in Immersive and One-on-One Performance (2014)Narcissistic Spectatorship in…“Other people's diasporas”: negotiating race in contemporary Irish and Irish American culture (2014)“Other people's diasporas”: n…‘That Was Us’: Contemporary Irish Theatre and Performance (2014)‘That Was Us’: Contemporary I…Other People's Diasporas: Negotiating Race in Contemporary Irish and Irish-American Culture (2013)Other People's Diasporas: Neg…Haptic Allegories (2013)Haptic AllegoriesPerforming Remains (2011)Performing RemainsPerforming remains art and war in times of theatrical reenactment (2011)Performing remains art and wa…The Politics of Irish Memory (2010)The Politics of Irish MemoryThe Black and Green Atlantic: Cross-Currents of the African and Irish Diasporas (2010)The Black and Green Atlantic:…Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred (2006)Pedagogies of Crossing: Medit…The Touch of the Past: Remembrance, Learning, and Ethics (2005)The Touch of the Past: Rememb…The Indigent Sublime: Specters of Irish Hunger (2005)The Indigent Sublime: Specter…Interculturalism and Irish Theatre: The Portrayal of Immigrants on the Irish Stage (2005)Interculturalism and Irish Th…Racism in the Irish experience (2004)Racism in the Irish experienceRacism and anti-racism in Ireland (2002)Racism and anti-racism in Ire…Melodrama: the cultural emergence of a genre (1997)Melodrama: the cultural emerg…Play between worlds: exploring online game culture (2007)Artificial hells: participatory art and the politics of spectatorship (2013)Making Mistakes in Immersive Theatre: Spectatorship and Errant Immersion (2016)Interactive, Immersive, Original Shakespeare (2017)Viral Theatre: Preliminary Thoughts on the Impact of the COVID-19 Pandemic on Online Theatre (2021)From The Emancipated Spectator (2025)Racisms: An Introduction (2010)Whiteness and the politics of ‘race’ in child protection guidelines in Ireland (2010)In Ireland ‘Latin Americans are kind of cool’: Evaluating a national context of reception with a transnational lens (2012)Passionate amateurs: theatre, communism, and love (2014)Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention (2018)Archive Feelings: A Theory of Greek Tragedy (2020)The Cambridge History of British Theatre (2004)Mega-Melodrama! Vertical and Horizontal Suspensions of the “Classical” (2012)Melodrama (2012)Plantation Modernity:Gone with the Windand Irish-Southern Culture (2013)Irish global migration and memory: transnational perspectives of Ireland's Famine exodus (2014)Broadcasting Irish emigration in an era of global mobility (2018)Diasporic identifications: exile, nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891 (2018)In Our Hands: An Ethics of Gestural Response-ability. Rebecca Schneider in conversation with Lucia Ruprecht (2017)Shakespeare, Spectatorship and the Technologies of Performance (2020)The ethics and politics of data sets in the age of machine learning: deleting traces and encountering remains (2022)THEORIZING QUEER TEMPORALITIES (2007)BLACK ATLANTIC, QUEER ATLANTIC (2008)Toward a Fugitive Anthropology: Gender, Race, and Violence in the Field (2017)Anti‐Racism and Indigenous Australians (2005)The Uses of Whiteness: What Sociologists Working on Europe Can Draw from US Research on Whiteness (2006)“I don’t mean to sound racist but … ” Transforming racism in transnational Europe (2017)Afterword: The Turn to Pedagogy: A Needed Conversation on the Practice of Curating Difficult Knowledge (2011)Understanding the role of affect in producing a critical pedagogy for history museums (2013)Reparations: theorising just futures of education (2022)
this work references cited by second hop

References

  • 2011Performing Remains803 cited
  • 2011Performing remains art and war in times of theatrical reenactment633 cited
  • 2006Pedagogies of Crossing: Meditations on Feminism, Sexual Politics, Memory, and the Sacred560 cited
  • 2005The Touch of the Past: Remembrance, Learning, and Ethics222 cited
  • 1997Melodrama: the cultural emergence of a genre217 cited
  • 2002Racism and anti-racism in Ireland159 cited
  • 2004Racism in the Irish experience155 cited
  • 2010The Politics of Irish Memory105 cited
  • 2014Narcissistic Spectatorship in Immersive and One-on-One Performance56 cited
  • 2010The Black and Green Atlantic: Cross-Currents of the African and Irish Diasporas51 cited
  • 2005The Indigent Sublime: Specters of Irish Hunger50 cited
  • 2014‘That Was Us’: Contemporary Irish Theatre and Performance42 cited
  • 2014“Other people's diasporas”: negotiating race in contemporary Irish and Irish American culture33 cited
  • 2005Interculturalism and Irish Theatre: The Portrayal of Immigrants on the Irish Stage13 cited
  • 2013Other People's Diasporas: Negotiating Race in Contemporary Irish and Irish-American Culture13 cited

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2013
Haptic Allegories
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