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Interpreting paintings without a commentary: meaning and motive, content and composition in the rock art of the western Cape, South Africa
16 references·15 citing·28 second hopsampled
Interpreting paintings without a commentary: meaning and motive, content and composition in the rock art of the western Cape, South Africa (1989)Interpreting paintings without a commenta…Reading the Past (2003)Reading the PastReading the Past: Current Approaches to Interpretation in Archaeology. (1992)Reading the Past: Current App…The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The Signs of All Times: Entop…The power of a place in understanding southern San rock engravings (1988)The power of a place in under…Politics and History in Band Societies (1985)Politics and History in Band …The Rock Art of Southern Africa (1984)The Rock Art of Southern Afri…Politics and History in Band Societies. (1984)Politics and History in Band …The Economic and Social Context of Southern San Rock Art [and Comments and Reply] (1982)The Economic and Social Conte…The !Kung San: Men, Women, and Work in a Foraging Society (1982)The !Kung San: Men, Women, an…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…The !Kung San: Men, Women and Work in a Foraging Society. (1981)The !Kung San: Men, Women and…Excavations at De Hangen, 1968 (1971)Excavations at De Hangen, 1968Art and Illusion: A Study in the Psychology of Pictorial Representation (1960)Art and Illusion: A Study in …Art and Illusion; a Study in the Psychology of Pictorial Representation. (1960)Art and Illusion; a Study in …The idea of history (1946)The idea of historyBELIEFS AND CUSTOMS OF THE |XAM BUSHMEN (1935)BELIEFS AND CUSTOMS OF THE |X…Designing Digital Recording for Volunteers in Rock Art Surveys, Management Plans and Public Outreach in the Cederberg, South Africa (2018)Designing Digital Recording f…Prehistoric Rock Art: Polemics and Progress (2010)Prehistoric Rock Art: Polemic…The Evolution of Theory, Method and Technique in Southern African Rock Art Research (2006)The Evolution of Theory, Meth…A new iconographic understanding of formlings, a pervasive motif in Zimbabwean rock art (2005)A new iconographic understand…Cultured Representation (2004)Cultured RepresentationLe mobilier funéraire de la Dame de Saint-Germain-la-Rivière (Gironde) et l’origine paléolithique des inégalités (2003)Le mobilier funéraire de la D…Eland and Therianthropes in Southern African Rock Art: When Is a Person an Animal? (2003)Eland and Therianthropes in S…Meanings, Models and Minds: A Reply to Lewis-Williams (1999)Meanings, Models and Minds: A…Holocene later stone age hunter-gatherers south of the Limpopo River, Ca. 10,000-2000 B.P. (1997)Holocene later stone age hunt…Thaba Sione (1996)Thaba SioneSeeing and Construing: The Making and ‘Meaning’ of a Southern African Rock Art Motif (1995)Seeing and Construing: The Ma…Rock art and changing perceptions of southern Africa's past: Ezeljagdspoort reviewed (1993)Rock art and changing percept…Colonial Era Paintings in the Rock Art of the South-Western Cape: Some Preliminary Observations (1993)Colonial Era Paintings in the…Changing fortunes of Southern African archaeology: comment on A.D. Mazel's ‘history’ (1993)Changing fortunes of Southern…Shamanism and Rock Paintings: Aspects of the Use of Rock Art in the South-Western Cape, South Africa (1991)Shamanism and Rock Paintings:…How To Do Things With Words (1975)Outline of a Theory of Practice (1977)Gender Trouble: Feminism and the Subversion of Identity (1991)Social Anthropology of Technology (1992)Material culture after text: re‐membering things (2003)Indigenous Archaeology as Decolonizing Practice (2006)Le dessin enfantin (1927)The Medicine Dance of the ! Kung Bushmen (1969)The Evolutionary Emergence of Modern Human Behaviour: Language and its Archaeology (1991)The Archaeology of Religious Ritual (2007)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Art and Illusion (2017)Handbook of Interview Research (2001)Methodology of the Oppressed (2010)The Action Research Planner: Doing Critical Participatory Action Research (2013)Cognitive Adaptations for Social Exchange (1992)Coevolution of neocortical size, group size and language in humans (1993)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)Origins of the modern mind: three stages in the evolution of culture and cognition (1992)Style and Social Information in Kalahari San Projectile Points (1983)Early understanding of the representational function of pictures (1994)Video Game Genre, Evolution and Innovation (2009)Depicting as a method of communication. (2016)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)The Human Symbolic Revolution: A Darwinian Account (1995)NATIONALISM AND ARCHAEOLOGY: On the Constructions of Nations and the Reconstructions of the Remote Past (1998)THE CHALLENGE OF ‘TECHNOLOGICAL CHOICES’FOR MATERIALS SCIENCE APPROACHES IN ARCHAEOLOGY* (2000)Personhood, Agency, and Mortuary Ritual: A Case Study from the Ancient Maya (2001)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1946The idea of history1,839 cited
  • 1981The !Kung San: Men, Women and Work in a Foraging Society.1,400 cited
  • 2003Reading the Past855 cited
  • 1992Reading the Past: Current Approaches to Interpretation in Archaeology.667 cited
  • 1982The !Kung San: Men, Women, and Work in a Foraging Society639 cited
  • 1988The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]474 cited
  • 1984Politics and History in Band Societies.451 cited
  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 1985Politics and History in Band Societies418 cited
  • 1960Art and Illusion: A Study in the Psychology of Pictorial Representation310 cited
  • 1960Art and Illusion; a Study in the Psychology of Pictorial Representation.262 cited
  • 1982The Economic and Social Context of Southern San Rock Art [and Comments and Reply]141 cited
  • 1971Excavations at De Hangen, 1968118 cited
  • 1984The Rock Art of Southern Africa102 cited
  • 1988The power of a place in understanding southern San rock engravings93 cited
  • 1935BELIEFS AND CUSTOMS OF THE |XAM BUSHMEN

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69 cited

Cited by

  • 2010Prehistoric Rock Art: Polemics and Progress46 cited
  • 2003Le mobilier funéraire de la Dame de Saint-Germain-la-Rivière (Gironde) et l’origine paléolithique des inégalités45 cited
  • 1997Holocene later stone age hunter-gatherers south of the Limpopo River, Ca. 10,000-2000 B.P.45 cited
  • 1991Shamanism and Rock Paintings: Aspects of the Use of Rock Art in the South-Western Cape, South Africa44 cited
  • 1995Seeing and Construing: The Making and ‘Meaning’ of a Southern African Rock Art Motif43 cited
  • 1996Thaba Sione33 cited
  • 1999Meanings, Models and Minds: A Reply to Lewis-Williams31 cited
  • 1993Changing fortunes of Southern African archaeology: comment on A.D. Mazel's ‘history’29 cited
  • 2006The Evolution of Theory, Method and Technique in Southern African Rock Art Research29 cited
  • 2003Eland and Therianthropes in Southern African Rock Art: When Is a Person an Animal?26 cited
  • 2018Designing Digital Recording for Volunteers in Rock Art Surveys, Management Plans and Public Outreach in the Cederberg, South Africa25 cited
  • 1993Rock art and changing perceptions of southern Africa's past: Ezeljagdspoort reviewed23 cited
  • 2004Cultured Representation17 cited
  • 2005A new iconographic understanding of formlings, a pervasive motif in Zimbabwean rock art14 cited
  • 1993Colonial Era Paintings in the Rock Art of the South-Western Cape: Some Preliminary Observations12 cited