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Analysis of artist’s palette on a 16th century wood panel painting by portable and laboratory Raman instruments

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References

2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
2000Infrared Spectroscopy in Conservation Science690 cited
2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
2004Raman microscopy in archaeological science351 cited
2001Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products282 cited
2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
2008Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films214 cited
2008Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage149 cited
2007Comparative study of mobile Raman instrumentation for art analysis148 cited
2009A non-invasive study of Roman Age mosaic glass tesserae by means of Raman spectroscopy146 cited
2008On-site Raman identification and dating of ancient glasses: A review of procedures and tools131 cited
2013Characterisation of a portable Raman spectrometer for in situ analysis of art objects125 cited

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2003Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics121 cited

2014Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography116 cited

2004Analysis of bulk and inorganic degradation products of stones, mortars and wall paintings by portable Raman microprobe spectroscopy94 cited

Cited by

2020Darkening of lead‐ and iron‐based pigments on late Gothic Italian wall paintings: Energy dispersive X‐ray fluorescence, μ‐Raman, and powder X‐ray diffraction analyses for diagnosis: Presence of β‐PbO2 (plattnerite) and α‐PbO2 (scrutinyite)44 cited
2017On‐site Raman study of artwork: Procedure and illustrative examples44 cited
2017Study on colored pattern pigments of a royal Taoist temple beside the Forbidden City (Beijing, China)29 cited
2018Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts24 cited
2018Re-interpretation of the Old Masters' practices through optical and rheological investigation: The presence of calcite23 cited
2021On-site contactless surface analysis of modern paintings from Galleria Nazionale (Rome) by reflectance FTIR and Raman spectroscopies22 cited
2018Raman microspectroscopy for Cultural Heritage studies21 cited
2020Investigation of Ancient Architectural Painting from the Taidong Tomb in the Western Qing Tombs, Hebei, China21 cited
2019Raman and Fourier transform infrared microspectroscopies reveal medieval Hispano–Muslim wood painting techniques and provide new insights into red lead production technology18 cited
2017In situ non-invasive characterization of pigments and alteration products on the masonry altar of S. Maria ad Undas (Idro, Italy)17 cited
2016In situ Raman spectroscopic study of marble capitals in the Alhambra monumental ensemble15 cited
2021Analytical study of Buddha sculptures in Jingyin temple of Taiyuan, China13 cited
2017An investigation of a unique group of painted silk banners from a Polish collection12 cited
2024Look but don't touch: Non-invasive chemical analysis of organic paint binders – A review11 cited
2022Multi-analytical Study on the Tara Thangka at Daxingshan Temple in Xi'an, Shaanxi, China11 cited
2023A Study on the Materials Used in the Ancient Architectural Paintings from the Qing Dynasty Tibetan Buddhist Monastery of Puren, China11 cited