Love and ideology in the afternoon: soap opera, women, and television genre

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Gender, Feminism, and Media Cinema History and Criticism Cultural, Social, and Media Studies

Abstract

Chapter 1: Viewing Histories and Textual Difficulties Chapter 2: What Is This Thing Called Soap Opera? Chapter 3: Public Exposure: Privacy and the Construction of the Soap Opera Community Chapter 4: How Things End: The Problem of Closure Chapter 5: Plotting Paternity: Looking for Dad on the Daytime Soaps Chapter 6: Beyond Soap Opera: Ideology, Intertextuality, and the Future of a Television Genre

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2006From Beats to Arcs: Toward a Poetics of Television Narrative 2000Creating a pocket universe: “Shippers,” fan fiction, andthe X‐Filesonline 2006Feminist Television Criticism: Notes and Queries 2013Reality television: a discourse-analytical perspective 1998“No Politics Here”: Age and Gender in Soap Opera “Cyberfandom”2004Negotiating femininities online 1999“Carlotta!”: Changing Images of Hispanic‐American Women in Daytime Soap Operas 2000Not "Anyone's Daughter": Patty Hearst and the Postmodern Legal Subject

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