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Love and ideology in the afternoon: soap opera, women, and television genre
0 references·15 citing·52 second hop
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  • 2006From Beats to Arcs: Toward a Poetics of Television Narrative164 cited
  • 2000Creating a pocket universe: “Shippers,” fan fiction, andthe X‐Filesonline43 cited
  • 2006Feminist Television Criticism: Notes and Queries37 cited
  • 2013Reality television: a discourse-analytical perspective33 cited
  • 1998“No Politics Here”: Age and Gender in Soap Opera “Cyberfandom”31 cited
  • 2004Negotiating femininities online29 cited
  • 1999“Carlotta!”: Changing Images of Hispanic‐American Women in Daytime Soap Operas21 cited
  • 2000Not "Anyone's Daughter": Patty Hearst and the Postmodern Legal Subject21 cited
  • 2020Television’s role in Indian new screen ecology16 cited
  • 1997Review essay: Feminism, cultural studies, and rhetorical studies14 cited
  • 2014Desirable Masculinity/Femininity and Nostalgia of the “Anti-Modern”: Bab el-Hara Television Series as a Site of Production11 cited
  • 2003Event ↗Erlebniskultur, Freizeitkultur / Fan9 cited
  • 2005Twelve Characters in Search of a Televisual Text:MagnoliaMasquerading as Soap Opera7 cited
  • 2006Decoding Television7 cited
  • 2024Cultural proximity and gender representation: Why Italian women are drawn to Turkish TV serials

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5 cited