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Judges 5, the Song of Deborah, is and has traditionally been one of the foci of biblical study. Artistically, it evinces a consummate skill, with a series of powerful scenes and strong stanzas. Literarily, it has broad import, particularly in that it is one of the oldest integral texts in the Hebrew Bible. Few scholars dissent from the proposition that the poem is premonarchic. As a result, it represents also a virtually unimpeachable source for the study of early Israel.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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