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Cited by

• 2014Sinanthropusin Britain: human origins and international science, 1920–193925 cited
• 2010‘The Direct Medium of the Vision’: Visual Education, Virtual Witnessing and the Prehistoric Past at the American Museum of Natural History, 1890-192321 cited
• 2012Fossil Horses, Orthogenesis, and Communicating Evolution in Museums16 cited
• 2017Progress in life's history: Linking Darwinism and palaeontology in Britain, 1860–19147 cited
• 2009Objects and Objectivity: The Evolution Controversy at the American Museum of Natural History, 1915–19287 cited
• 2021Theistic evolution and evolutionary ethics: Henry Fairfield Osborn and Huxley’s legacy6 cited
• 2011The Art of Authority: Exhibits, Exhibit-Makers, and the Contest for Scientific Status in the American Museum of Natural History, 1920–19406 cited
• 2010Art and Science in Sorolla’s Painting A Research inDr. Simarro’s Lab3 cited